As a composer Samuel-Rousseau was highly influenced by the works of Franck and Fauré.
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Analyzing seminal works by modern and postmodern philosophers such as Rousseau, Kant, Marx, Sartre, Arendt, Foucault, and Derrida, Ophir submits that to be moral is to care for others, and to be committed to preventing their suffering and distress.
"L'Emilio disingannato" (4 vols., Siena, 1782-3) and "Confutasione del contratto sociale di Gian Jacopo Rousseau" (2 vols., Foligno, 1794) - the former is a refutation of Rousseau's Emile, the Iatter of his Contrat social.
During the 20th century, artists continued to frequent Auvers, for example Henri Rousseau (Douanier Rousseau) and Otto Freundlich.
The Essay towards a Demonstrative Proof of the Divine Existence, Unity and Attributes (1740) was intended to combat the opinions of Voltaire, Rousseau and Hume.
The name Braastad was introduced when Sverre Braastad (1879 – 1979) from Gjøvik, Norway, married the daughter of cognac producer Tiffon, Edith Rousseau, in 1913, and took over Tiffon, founded by Médéric Rousseau in 1875.
Sir Brooke Boothby, 6th Baronet (1744–1824), British poet and friend of Jean-Jacques Rousseau
The journalist and art critic Michael Mills put it best when he wrote “She is so meticulous that Carmen’s work is reminiscent of Henri Rousseau’s art.” Much has been written about her work in European and American Art magazines.
Rousseau's friend Denis Diderot had been imprisoned at Vincennes for writing a work questioning the idea of a providential God.
The learning ideal is rooted in the thoughts of the Age of Enlightenment and Rousseau's concept of popular sovereignty.
On October 5, 2012 L'Express.FR and a top Parisian writer Isabelle Aithnard compared Têtu 2013 Calendar by Lope Navo to the longest running Les Dieux du Stade by the veteran French photographer François Rousseau's 2013 Calendar.
Rousseau coordinated the electro-orchestral show starring Jessye Norman and Kathleen Battle and performed by the London Metropolitan Orchestra, directed by Blake Neely.
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Rousseau followed the Greek composer to Holland for Eureka, the European community project initiated by François Mitterrand on the theme of Industry and Transport.
The words of the song sung by Gavroche before his death are a parody of conservative views about the French Revolution: blaming all alleged modern social and moral ills on the influence of Voltaire and Rousseau.
In 1788, Bogdanovich was appointed Director of State Archives, a post which he treated as a sinecure, translating Voltaire, Diderot, and Rousseau at loose hours.
Montesquieu, Rousseau, Gibbon, and Helvetius acknowledge the value of his writings; and Sir William Jones says he gave the best account of Mahometan nations ever published.
He also engraved portraits of Cardinal de Bouillon; Nicolas Boileau-Despréaux; Jean-Baptiste Rousseau (the last for an edition of his works published in 1795), plus a smaller portrait of Rousseau; a small profile of Cicero after Moreau; and both drew and engraved a portrait of Hue de Miroménil (keeper of the seal and deputy to the Chancellor of France (Minister of Justice) from 1774 to 1787).
He was accused in 1712 by Jean-Baptiste Rousseau of being the actual author of defamatory verses that gossip had attributed to Rousseau.
Zornado analyzes several of the dominant notions of childhood which lead to this moment, such as those of Calvin, Freud, and Rousseau, and finally the "consumer childhood" era of Dr. Spock and television.
La Mort Vivante (also released as The Living Dead Girl) is a 1982 French horror film directed by Jean Rollin and starring Marina Pierro, Francoise Blanchard, Mike Marshall, Carina Barone, Fanny Magier, Patricia Besnard-Rousseau, and Sam Selsky.
The Ministry of the Navy, from 1902 to 1905, Camille Pelletan, by giving these names to the French armoured cruisers, wished to honor Republican statesmen, philosophers or historians, such as Waldeck-Rousseau, Jules Michelet, Ernest Renan, or Edgar Quinet, as the officers of the French Navy (so called La Royale) were reputed to have rather Royalist sympathies.
She was born in Charenton, France, daughter of Charles-Louis Rousseau and grand niece of philosopher Jean-Jacques Rousseau.
In "Lullaby" a young girl leaves the busy town for the sea, and a meditative experience (compared to passages in Thoreau's Walden and Rousseau's Reveries of a Solitary Walker) lets her realize a transformed way of respiration after which a journey ensues along rocks with mysterious inscriptions, a bunker, a white villa, a Greek temple, and other places of self-discovery.
While in France, Nakae translated some of the works of Jean-Jacques Rousseau into Japanese (most importantly, Rousseau’s "Du contrat social") and Eugène Véron's L'esthétique.
At Fontainebleau Díaz found Rousseau painting his wonderful forest pictures, and was determined to paint in the same way if possible.
Rousseau, George (1974), Goldsmith: The Critical Heritage (London: Routledge and Kegan Paul, 1974).
He became familiar with the works of famed European thinkers, such as Voltaire, Rousseau and Darwin.
Daniel Heartz: "The Beginnings of Operatic Romance: Rousseau, Sedaine, and Monsigny", Eighteenth Century Studies, xv (1981–2), 149–78
Rousseau also achieved at silver in the moguls event of the 2001 World Championships at Blackcomb.
Society does not allow the talented to support themselves because it does not value them, leaving them to beg while the rich, the powerful and stupid poke fun at men like Buffon, Duclos, Montesquieu, Rousseau, Voltaire, D'Alembert, Diderot.
"No More Stories, Good or Bad: de Man's Criticisms of Derrida on Rousseau," in David Wood (ed.), Derrida: A Critical Reader (Oxford: Blackwell, 1992).
Baptised Samuel Kent Rousseau in St Ann's Church, Blackfriars, London on 20 November 1763, he was the eldest son of Phillip Rousseau, a printer working for William Bowyer, and his wife Susannah.
The course of the Small College mainly consists of the so-called classics; Plato, Aristotle, Rousseau, Kant, Nietzsche, Marx, Arendt, Dostoyevsky, and so forth.
Another influence is Rousseau's Julie, or the New Heloise (French: Julie, ou la nouvelle Héloïse, 1761).
Rousseau first exhibited the painting at the 13th Salon des Indépendants, and tried unsuccessfully to sell it to the mayor of his hometown, Laval.
Until this period Rousseau had lived only occasionally at Barbizon, but in 1848 he took up his residence in the forest village, and spent most of his remaining days in the vicinity.
In 1919, in the Black Sea when he was with the French Navy, Thắng claimed to participate in a plot with fellow sailors to turn over the French warship Waldeck-Rousseau to the enemy Bolshevik revolutionaries.
While science still described the chimpanzee as a peaceful vegetarian that roamed the forest without any need for social bonds - not unlike Rousseau's noble savages - Nishida had noticed that chimpanzees live a communal life with territorial boundaries and perhaps even hostility between neighbouring unit-groups.
Rousseau himself served as professor of sculpture at the Académie Royale des Beaux-Arts from 1901 through 1919, and as director from 1919 through 1922 (succeeding van der Stappen in that role) and then again from 1931 through 1935.