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When an eighteen-year Puritan prohibition of drama was lifted after the English Restoration of 1660, women began to appear on stage in England.
His son was Richard Owen, who was a prominent clergyman before and after the Restoration, holding positions in Eltham, St Swithin in London Stone, and North Cray.
Despite his father's loyalties, his son Robert was raised to the Baronetcy following the English Restoration and served as High Sheriff of Cheshire in 1675.
At the Restoration he returned to England, in 1669 became secretary to Charles Howard, 1st Earl of Carlisle, and went to Stockholm to invest Charles XI of Sweden with the Order of the Garter.
After the Restoration he resided chiefly at Boughton, died on 10 January 1684, and was buried at Weekley.
They were organized around John Pordage (1607–1681), an Anglican priest from Bradfield, Berkshire, who had been ejected from his parish in 1655 because of differing views, but then reinstated in 1660 during the English Restoration.
After the English Restoration in 1660, Charles II granted Letters Patent to two companies to perform "legitimate drama" in London: the Duke's Company under the patronage of the Duke of York, led by William Davenant, and the King's Company, led by Thomas Killigrew.
After the Restoration the house (by then called Havering House) was occupied by the Earl of Lindsey but despite evidence of considerable sums of money being spent on repairs, it became vacant some time between 1686 and 1719, when it was reported to be in ruins.
After the Restoration in 1662, it was forbidden for ministers to preach without the Book of Common Prayer.
In March 1657 he was knighted, and the same year was sent as Charles's agent to Madrid, where he remained, endeavouring to obtain assistance for the royal cause, till after the Restoration.
His opinions were orthodox, and at the Restoration he was given the post of chaplain-in-ordinary to Charles II, and the rectory of Bladon, near Woodstock, in 1661, in addition to the rectory of Fillingham, Lincolnshire, which he held as Master, a canonry at Gloucester in 1665, and the rectory of Crowmarsh, Oxfordshire, in 1670.
When the Restoration seemed inevitable, Fowke issued an advertisement denying that he was ‘one of those persons that did actually sit as judges upon the tryal,’ to which he appended a certificate from Henry Scobell, clerk of the parliament, dated 28 March 1660.
On 23 June 1646 he was presented by the university to the vicarage of Yarnton, Oxfordshire, which he held, with some trouble, until the Restoration of 1660.
After the Restoration in 1660, a further Act (12 Car II, c.35) confirmed this and the post of Postmaster-General, the previous Cromwellian Act being void.
When Thomas Nashe wanted to praise Edward Alleyn as the best actor of his generation, he called Alleyn a Roscius (Pierce Penniless, 1592); John Downes titled his history of Restoration drama Roscius Anglicanus (1708).
Soon after the Restoration he became Groom of the Chamber to the Duke of York, through whose influence he was appointed in 1664 on a commission with Sir Robert Carr (d. 1667), George Cartwright and Samuel Maverick, to conquer New Netherlands from the Dutch and to regulate the affairs of the New England colonies and settle disputes among them.
Following the restoration of Charles II, Moray was one founders of the Royal Society at its first formal meeting on Wednesday 28 November 1660, at the premises of Gresham College on Bishopsgate, at which Christopher Wren, Gresham Professor of Astronomy, delivered a lecture.
His living was sequestrated by the Long Parliament in 1647, but restored in 1660 at the time of the English Restoration.
Samuel Pepys records that a party of children sang to Edward Montagu, 1st Earl of Sandwich when he was appointed as Master of the Royal Wardrobe during the Restoration but he was unmoved, the orphans were evicted, and the Wardrobe resumed its usual function.
With the triumph of the Restoration and with it the Church of England, Dean Fell sought to revive a project proposed in the 1630s by the late William Laud Archbishop of Canterbury: a separate building whose sole use would be graduation and degree ceremonies.
He was the eldest son of Sir Henry Stapylton, who had been a Member of Parliament during the Commonwealth and who was created a baronet shortly after the Restoration in 1660; Sir Bryan succeeded to the baronetcy following his father's death on 26 March 1679.
(During the Restoration, John Crowne wrote a two-part drama on the same subject, titled The Destruction of Jerusalem, acted in 1677.
Like the earliest works of many authors, and also like many other Restoration plays, The Wild Gallant is a derivative work: Dryden borrowed from several previous authors and plays, as far back as Ben Jonson's Every Man Out of His Humour (1599).
Crewe's son, John, followed him into Parliament, and was raised to the peerage as Baron Crew in 1661 for his role in bringing about the Restoration.
At the Restoration of Charles II enthusiasm for the older 'motet' style of anthem returned, but composers continued to write verse anthems, sometimes on a grand scale, particularly for the Chapel Royal.
Declaration of Breda in 1660 by Charles II of England paving the way for the English Restoration.