The first published polyphonic settings of the Symbolum Apostolorum were settings by the French composer Le Brung in 1540, and two further settings by the Spanish composer Fernando de las Infantas in 1578.
In 1577 Infantas came into conflict with Pope Gregory XIII and the composers Palestrina and Annibale Zoilo over the reversal of reforms in Gregorian chant, at one point causing his sponsor Philip II of Spain to instruct the Spanish ambassador in Spain to intercede with the Pope.
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Infantas was born in Córdoba in 1534, a descendant of Juan Fernández de Córdoba who had conveyed the two daughters, infantas (hence the surname), of Pedro I of Castile to safety after the Battle of Montiel in 1369.
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This is most notable in two almost unique settings of the Symbolum Apostolorum, a Credo according to the Apostles' Creed, not according to the ordinary of the mass.
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