He had great prominence in the musical life of Rio de Janeiro in the period between the death of Priest José Maurício and Carlos Gomes.
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The "Archive" goals were to publish scores of Brazilian music, which standed out in its first publishing: Missa dos Defuntos (1809) for 4 voices a cappella and Tantum Ergo by Padre José Maurício Nunes Garcia, Canto Religioso and O Salutaris by Francisco Manuel da Silva, and several opera's passages reduced to piano part from Joanna de Flandres by Carlos Gomes.