Under the French Consulate and the First French Empire he painted several more allegories, including an Allégorie du dix-huit brumaire ou la France sauvée (Allegory of 18 Brumaire, or France saved - 1801, château de Versailles) and an Allégorie de la bataille d'Austerlitz (Allegory of the Battle of Austerlitz - 1806, château de Versailles).
The practice was pursued under the French Consulate, which furthermore instituted the award of Weapons of Honour for the military, and scarfs of honour to civilians.
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He belonged to a rich noble family (his father was the Esquire Clément de Potter de Droogenwalle) which sought asylum in Germany after the second French invasion of the Southern Netherlands in 1794 and remained there until the Consulate.
Doulcet was subsequently elected to the French Directory's Council of Five Hundred, but was suspected of Royalist sympathies, and had to spend some time in retirement between anti-monarchist coup of 18 Fructidor (4 September 1797) and the establishment of the Consulate (the 18 Brumaire coup of 9 November 1799).
As president of the Council of Five Hundred — which he removed to the suburban security of Saint-Cloud — Lucien Bonaparte's combination of bravado and disinformation was crucial to the coup d'état of 18 Brumaire (date based on the French Revolutionary Calendar) in which General Bonaparte overthrew the government of the Directory to replace it by the Consulate.
Marina Goldovskaya, a famed Russian-born documentary filmmaker, forged a deep friendship with Rybakov after meeting him at the French Consulate in Moscow.
Also nearby are the Alliance Française, the French consulate, and the Notre-Dame-des-Victoires Church (where mass is still celebrated in French) and an affiliated elementary school.