Before the Second World War, in the year 1936, he published an essay on the literary magazine Frontespizio which was gathering together the most relevant poets like Mario Luzi, and contemporary artists from Ottone Rosai to Giorgio Morandi and Quinto Martini.
He also dedicated a monograph to Chillida, and to Palazuelo, and wrote prefaces for many exhibitions catalogs of painters such as Raoul Ubac, Vieira da Silva, Arpad Szenes, Fermín Aguayo, Giorgio Morandi, Josef Sima, Bacon, Giacometti, Braque, Le Brocquy, Chagall, etc. (Most of these texts were published again in volumes, see infra).
The artwork of Giorgio Morandi exemplifies how measurements of varying sizes (derived from an Orthogon) can create visual harmony.
Impulses from contemporary European Art can be traced to Joan Miró, Victor Vasarely, Giorgio Morandi or Domenico Gnoli, to Surrealism or OpArt.
Drawn to an ambiguity of harmony and narrative, her work is informed by her appreciation of the work of writers and painters, including: Marguerite Duras, Cormac McCarthy, Cy Twombly, Giorgio Morandi, Mark Rothko, Agnes Martin, and Joseph Cornell, among many others.
His time in Italy after World War II brought him into personal contact with important Italian painters, particularly Giorgio Morandi.
During this time, he completed a series of large still-life paintings which extended the imagery of Giorgio Morandi by elongating vessels and vases, transforming them into "architectonic towers".
Discouraged by Léger's emphasis on large compositions, Kulicke stopped painting until 1957, when he was called on to frame some 300 small still life paintings by Giorgio Morandi.
Giorgio Armani | Giorgio de Chirico | Giorgio Strehler | Giorgio Agamben | Giorgio Moroder | Giorgio Morandi | Porto San Giorgio | Giorgio Napolitano | San Giorgio a Cremano | Giorgio Tozzi | Giorgio La Malfa | Giorgio Albertazzi | Gianni Morandi | Gian Giorgio Trissino | San Giorgio Maggiore | San Giorgio di Piano | Giorgio Mainerio | San Giorgio su Legnano | Giorgio Panariello | Giorgio Gaber | Giorgio Calabrese | Stadio Giorgio Ascarelli | San Giorgio di Nogaro | Giorgio Samorini | Giorgio Ronconi | Giorgio Massari | Giorgio Gaslini | Giorgio Gaja | Giorgio Di Centa | Giorgio Corbellini |
Its 75 rooms house the largest collection of works by 19th- and 20th-century Italian artists including Giacomo Balla, Umberto Boccioni, Giorgio de Chirico, Giovanni Fattori, Amedeo Modigliani, Giorgio Morandi, Giacomo Manzù, Alberto Burri, Antonio Canova, Felice Casorati and Lucio Fontana.
He wrote essays and catalogues collaborating with artists and architects such as Giorgio Morandi, Alighiero Boetti, Mario Merz, Carol Rama, Pirro Cuniberti, Alberto Burri, Bruno Martinazzi, Piero Manai, Marco Gastini, Vittorio Gregotti, Achille Castiglioni, Michelangelo Pistoletto, Renzo Piano, Ettore Sottsass, among many others.