Photographed by Pedriali were people like Giacomo Manzù, Giorgio de Chirico, Alberto Moravia, Federico Fellini, Rudolf Nureyev, Andy Warhol, Man Ray, and Pier Paolo Pasolini, whom he photogaphed shortly before Pasolini's 1975 death.
Rosselli grew up in Milano, surrounded by a vibrant cultural environment with people such as Gio Ponti, Giorgio de Chirico and Indro Montanelli in the roaring 1960s and 70s that made Milano the centre of new design and architecture.
During her stays in Spain, Rome, Paris and London, where she socialised with Jean Cocteau and André Breton, she was influenced by many western schools and artists, notably Giorgio de Chirico.
The name of the track "De Chirico Street" refers to surrealist painter Giorgio de Chirico.
A few months after his arrival he was persuaded by dealers to show in galleries, and had a solo exhibition at the Arcade Gallery in London, shown concurrently with other works by such 20th century artists as Pablo Picasso, Giorgio de Chirico, Paul Klee, Joan Miró, amongst others.
The Double Dream of Spring (also known as Doppio Sogno di Primavera, 1915) is a painting by the Italian metaphysical painter Giorgio de Chirico.
The Song of Love (also known as Le chant d'amour or Love Song; 1914) is a painting by the Italian metaphysical painter Giorgio de Chirico.
The Collection of Modern Religious Art houses paintings and sculptures from artists like Carlo Carrà and Giorgio de Chirico.
“The Melancholy of Departure” takes its title from a 1916 work by the Italian metaphysical painter Giorgio de Chirico.
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In his earlier works, Nussbaum was heavily influenced by Vincent van Gogh and Henri Rousseau and he eventually paid homage to Giorgio de Chirico and Carlo Carrà as well.
Its 75 rooms house the largest collection of works by 19th- and 20th-century Italian artists including Giacomo Balla, Umberto Boccioni, Giorgio de Chirico, Giovanni Fattori, Amedeo Modigliani, Giorgio Morandi, Giacomo Manzù, Alberto Burri, Antonio Canova, Felice Casorati and Lucio Fontana.
Mannequins were a frequent motif in the works many early 20th-century artists, notably the Metaphysical painters Giorgio de Chirico, Alberto Savinio, and Carlo Carrà.
Touted as the subtle sort of fetish erotica that relies on the drama of melancholia instead of on pure eroticism as secret springboards for erotic imaginings, trance painting is deemed by de Veyra to have been culled from the art of Blue Period Picasso, Diego Velázquez as much as Raphael, Chagall, Giorgio de Chirico, Nobuyoshi Araki and the "defamiliarization" technique of the Russian Formalists.
Strand has been compared to Robert Bly in his use of surrealism, though he attributes the surreal elements in his poems to an admiration of the works of Max Ernst, Giorgio de Chirico, and René Magritte.
This painting, amongst other works by Giorgio de Chirico, influenced the painting by Fumito Ueda for the front cover of the video game Ico used in the Japanese and European versions of the game.