In the following three years, he sang in operas by Flotow, Verdi, Wagner, Mozart, Puccini and Gounod.
The town achieved national notoriety in February 2006 when a number of parents of elementary-school-age children criticized a local teacher for showing children a video featuring Gounod's classic opera Faust.
Her Metropolitan Opera debut in 1986 as another 'Juliette', this time in Gounod's Roméo et Juliette.
He specialized in arranging for piano and voice the works of famous composers such as Gounod and Mendelssohn.
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He specialized in arranging for piano and voice the orchestral works of famous composers such as Gounod and Mendelssohn and theatre scores of other British composers, such as that of Jane Annie.
She sang more than 100 parts, covering a wide range of styles and periods, from Mozart, Meyerbeer, Gounod, Verdi, Wagner, Puccini, Strauss, Schreker and Krenek.
He sang a wide repertoire encompassing material from French composers like Gounod and Massenet to the Italian grand operas of Verdi, the verismo operas of Mascagni, and the German operas of Richard Wagner and Richard Strauss.
Gounod wrote incidental music to Barbier's play Jeanne d'Arc, and the libretto to Pyotr Ilyich Tchaikovsky's opera The Maid of Orleans was partially based on it.
With Gounod Les sept paroles de N.S. Jesus-Christ sur la croix Ensemble Vocal de Lausanne, Michel Corboz.
Selections from his recorded output, consisting mainly of operatic arias and duets by Meyerbeer, Halévy, Verdi, Puccini, Wagner, Gounod, Thomas, Boito, Rossini, and Weber, have been issued by Preiser Records (Lebendige Vergangenheit) on two separate CDs (numbers 89042 and 89507).
English commentators were enthusiastic about his contribution to these premieres, as well as his singing in the standard repertory roles, including Rocco in Ludwig van Beethoven's Fidelio, Méphistophélès in Faust, Ramfis in Verdi's Aida, Pogner in Wagner's Die Meistersinger von Nürnberg or Jupiter in Gounod's Philémon et Baucis.
While in France she sang numeroues roles by Gounod and Meyerbeer, as well as the Queen of the Night in the The Magic Flute and the title role in Gluck's Eurydice among other roles.
Walpurgisnacht Ballet is a ballet made by New York City Ballet's co-founder and founding choreographer George Balanchine for a 1975 production of Gounod's 1859 Faust at the Théâtre National de l'Opéra including the additional ballet music from 1869.