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Apart from his books he has written for National Geographic, Los Angeles Times, The London Review of Books, Smithsonian, Vanity Fair, Harper's Magazine, CounterPunch, Condé Nast Traveler, New York Times, and the Dungarvan Observer.
Hindmarch designed the gift bags given to guests at Vanity Fair's Oscar party in 2006, 2007 and 2009.
Avrich's film career has included critically acclaimed films about the entertainment business including The Last Mogul about film producer Lew Wasserman (2005), Glitter Palace about the Motion Picture Country Home (2005), and Guilty Pleasure about the Vanity Fair columnist and author Dominick Dunne (2004).
A Vanity Fair article by Bob Colacello described Thau in 1949 as a "short, heavyset man with thinning hair", and quoted the biographer Charles Higham as saying "Thau's casting couch was the busiest in Hollywood".
Best known in Ireland for being the Dubliner's Diary columnist in The Evening Herald and theatre critic of The Daily Mail, he has also contributed to RTÉ, The Dubliner and Vanity Fair.
It is not recorded how Pellegrini met Thomas Bowles, the owner of Vanity Fair magazine, but he quickly found himself employed by that publication and became its first caricaturist, originally signing his work as 'Singe' and later, and more famously, as 'Ape' (Italian for Bee).
First proposed by Vanity Fair columnist Maureen Orth in her book, The Importance of Being Famous (2003), it is fueled both by the celebrities' seemingly continual search for fame and attention and the business corporations' search for catchy headlines and viable name brands that could be sustained by such celebrities.
Caricature of Lord Suffield by Ape published in Vanity Fair in 1879.
Ford's series of "Impossible Interviews" for Vanity Fair magazine featured ill-assorted celebrities, among them Stalin vs. John D. Rockefeller, Chief Justice Charles Evans Hughes vs. Al Capone, Sigmund Freud vs. Jean Harlow, Sally Rand vs. Martha Graham, Gertrude Stein vs. Gracie Allen, Adolf Hitler vs. Huey Long.
In the 2004 film Vanity Fair, LaRue's singing was used to voice-over Reese Witherspoon's three songs: "Over The Mountains/The Great Adventurer", "Now Sleeps The Crimson Petal", and "The Mermaids Song".
Formerly the arts & culture editor of the Forward newspaper, he has published in The New Yorker, Esquire, GQ, Vanity Fair, The New York Observer, New York Magazine, The New York Times Magazine, The New York Times Book Review, Playboy, Ploughshares, North American Review, Partisan Review, Southern Review, et al.
Jonis Agee has said that Monroe's "prose shimmers like a jazz solo, full of sass and danger." Antonya Nelson writes that Monroe's "characters, like her prose, have hard edges. They also have big hearts, dark humor, and purely unique ways of opening themselves up for our inspection." Her work has been included in Elle's top ten list, in Vanity Fair's hot picks, and was chosen as recommended reading by O, Oprah Winfrey's magazine.
In an interview released to Italian magazine Vanity Fair, Galiazzo explained that the music video is "bizarre, fairy, in the style of Tim Burton. It was shot on the seaside and it was very cold. In that story, there's me and my sould".
Malcolm was named one of America's most influential women by Vanity Fair (1998), one of the 100 Most Important Women in America by Ladies' Home Journal (1999), one of the Women of the Year by Glamour (1992), and Most Valuable Player by the American Association of Political Consultants.
She worked as an illustrator for various magazines, including Life, Vogue, Shadowlands, and Vanity Fair.
Lord Hertford was the prototype for the characters of the Marquess of Monmouth in Benjamin Disraeli's 1844 novel, Coningsby and the Marquess of Steyne in William Makepeace Thackeray's 1848 novel, Vanity Fair.
In a late 2008 interview with Italian Vanity Fair, D'Alessio says that at the beginning of his career from 1992-1997 as his fame grew around Napoli, members of various Camorra clans would threaten him to sing at their parties and other festive gatherings.
From 1983 he undertook editorial assignments for American and international publications in the U.S. and abroad, including: Harper's Bazaar, Esquire, Fortune, Westways, House and Garden, Architectural Digest, Interiors, Vanity Fair, Architectural Record, Progressive Architecture, Traveller, L.A. Style, Los Angeles Times, New York Times, Architecture, Los Angeles Magazine, Travel & Leisure, and Interview (magazine).
In addition, his illustrations were published in Punch, Harper's Weekly, Vanity Fair, The Idler and the Illustrated London News, amongst others.
Commercial photo work for Vanity Fair, Elle, Réalités and other magazines brought him to Paris, France, where he continued to make experimental films.
A featured article in Vanity Fair magazine by John Colapinto detailed child abuse of Jeff and Julia and prompted the C.A.S. to take him and his sister into protective custody.
Reardon remained in this position for 9 years, before gaining the attention of Vanity Fair editor Graydon Carter, who gave her the job of contributing editor in 1999, in which she spent eleven years in the role.
Since posing for Saint Laurent, Khadija has modeled for photo shoots and advertising campaigns for Marie Claire, Vanity Fair, Dolce & Gabbana, Armani, Versace, Pacco Rabanne, Louis Vuitton, Canon, Pasquale Bruni and many more.
The photograph, published on the front cover of Vanity Fair in August, 1991 with the title More Demi Moore, had achieved significant fame and notoriety on publication, and Paramount Pictures chose to parody it in 1993 as part of a promotional campaign for its new film Naked Gun 33⅓: The Final Insult.
Alongside this he has appeared in high fashion editorials for GQ, Vogue Espana, V, Elle, W magazine with Ginnifer Goodwin and Vanity Fair with Shakira.
From 1990 to 1994 he was also a contributing editor at Vanity Fair, where he wrote profiles on major figures in the arts including Lucian Freud, Roy Lichtenstein, Paul Mellon, I.M. Pei, Irving Penn, and Jacob Rothschild.
In 2004, Hyppönen co-operated with Vanity Fair on a feature, The Code Warrior, which examined his role in the Blaster and Sobig Computer worms.
Film credits include The Clandestine Marriage (1999); The Criminal (1999); Kevin & Perry Go Large (2000); Greenfingers (2000); Another Life (2001); Byron (2003); Vanity Fair (2004), where she played Lady Jane Sheepshanks Crawley; The Queen of Sheba's Pearls (2004) and A Congregation of Ghosts 2009) among others.
In 1974, Vanity Fair opened up the first multi-store outlet center in Reading, Pennsylvania.
He contributed articles to leading magazines such as Scribner’s, Vanity Fair, McCall's, and Town and Country.
Reema Kagti has worked as an assistant director with many leading directors including Farhan Akhtar (Dil Chahta Hai, Lakshya), Ashutosh Gowariker (Lagaan), Honey Irani (Armaan), and Mira Nair (Vanity Fair).
Tracy Jordan's tweet to "@theRealStephenHawking" which reads, "I agree @theRealStephenHawking. Women are not funny. Never have been. Never will be. #plotpoint" and Liz Lemon's subsequent response alludes to an incident sparked by a Vanity Fair article by Christopher Hitchens titled "Why Women Arn't Funny", which caused upset among Tina Fey, Sarah Silverman, Amy Poehler, and other female comedians who challenged the article as sexism.
De Passe's long association with Mr. Gordy was featured in the December 2008 issue of Vanity Fair: Motown the Untold Story, The Labels Greatest Legends, In Their Own Words with photography by Annie Leibovitz.
The film was to be scripted by Ned Zeman, based on his Vanity Fair article, and DiCaprio was expected to play the role of Treadwell.
The work appeared in a Guinness commercial and in a Vanity Fair article featuring cast members of the television series Glee, as well as in numerous amateur photos posted online.
They are the scene for a brief but pivotal turning point in the fortunes of anti-heroine Becky Sharp in William Makepeace Thackeray's 19th-century novel Vanity Fair, as well as a setting in his novel Pendennis.
His Vanity Fair article "Adventures in the Ransom Trade" inspired the 2000 film Proof of Life.