He completed his apprenticeship in 1911, and managed to find the finances to attend the Slade School of Fine Art at University College, London (UCL).
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In The Great War and Modern Memory, Paul Fussell's landmark study of the literature of the First World War, Fussell identifies Rosenberg's "Break of Day in the Trenches" as "the greatest poem of the war."
Jack Lindeman’s nine-page 1959 article “The ‘Trench Poems’ of Isaac Rosenberg” in The Literary Review that cemented Rosenberg’s poetry in the minds of many readers.
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Studying at the Slade School of Fine Art between 1910 and 1912 with Isaac Rosenberg and David Bomberg, she soon became the only female member of their 'Whitechapel Boys' circle of artists and poets, and was the only female exhibitor at the 1914 post-Impressionist exhibition "Twentieth Century Art: A Review of Modern Movements" at the Whitechapel Art Gallery in which this circle played a major part.