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Johann Sebastian Bach based his chorale cantata Liebster Immanuel, Herzog der Frommen, BWV 123, for Epiphany 1725 on a hymn in six stanzas by Fritsch and used single stanzas in other cantatas.
Gächinger Kantorei and Bach-Collegium Stuttgart, conducted by Rilling, completed a first recording worldwide of Bach's cantatas and oratorios, a project of 15 years in collaboration with Hänssler Classic, in 1985 on the occasion of the composer's 300th birthday.
He is noted in particular for singing all of the bass parts in the complete Bach church cantatas cycle for Brilliant Classics, as well as Bach's St Matthew Passion and St John Passion.
Mount Vernon was the home and workplace of Bach in the last years of his life, where he completed his research into the Bach flower remedies.
The sessions have been directed over the past two decades by Richard Marlow (former organist and choirmaster of Trinity College, Cambridge), Sir David Willcocks (former choirmaster of King's College, Cambridge and The Bach Choir, London), Herbert Bock, and most recently by David Hill (of the BBC Singers, the Bach Choir) and James Litton (former director of the American Boychoir).
In Mass settings of the Baroque, Classical and Romantic period the Credo line is usually set for whole choir, such as in the Symbolum Nicenum (Nicene Creed) of Bach's Mass in B minor, where the composer uses plainchant as the theme for a fugue, in the later Masses of Haydn, and the Missa Solemnis of Beethoven.
Besides his monographs, Freeman has published essays on Italian opera of the seventeenth and eighteenth centuries, eighteenth-century keyboard music, and the music of Wolfgang Amadeus Mozart, Johann Sebastian Bach, the Bach sons, Antonio Vivaldi, and Josquin des Prez.
In his recent work, "The Divan of Rumi & Bach", Davod Azad joins Iranian Traditional music with Bach's famous melodies.
# Lloyd Powell provided discussion and a performance of post-Bach piano music
The preface by the Bach scholar Alfred Dürr contains a survey of the literature on possible authorship.
Farr has recorded a number of baroque composers for the Naxos label, notably Byrd, Philips and d'Anglebert on harpsichord, and a recording of Bach's lute-harpsichord music.
Among Agostini’s Philips recordings there are Bach and Vivaldi’s violin concertos, including the Four Seasons, which was filmed on location in Venice and available also on DVD.
J. S. Bach: Brandenburg Concerto No. 5; "Aus Liebe will mein Heiland sterben" from the St Matthew Passion; Orchestral Suite No. 2 in B Minor
I began to ask Fred Rogers why there was no professional ensemble that sang spirituals comparable to a Haydn Society or a St. Cecelia Society or a Handel Society or Bach.
From 1707 to 1708, Bach was the organist of one of Mühlhausen's principal churches, Divi Blasii church (dedicated to St Blaise also called Blaise the Divine), where he composed some of his earliest surviving cantatas.
To prove this thesis Galton collected data showing that genius clusters in what he termed “Notable Family Lines”, such as those of Bernoulli, Cassini, Darwin, Herschel, and Jussieu in science, or Bach in music.
In 1699, Georg Böhm became organist here and, beginning soon after (according to Christoph Wolff) gave Johann Sebastian Bach lessons on this instrument during Bach's student tenure at the Michaeliskirche from 1700 through 1702.
The music of Italian composers, such as Corelli, Scarlatti, and Vivaldi, was studied or transcribed by many other composers of the day, most notably Bach.
Mr. Ceci made many solo appearances including the Denver Chamber Orchestra, Royal Metropolitan Orchestra of Japan, Shizuoka Symphony Orchestra, Osaka Municipal Band, The Mozart Festival in Whistler, British Columbia, Bach Carmel festival in Carmel-by-the-Sea, California, Colorado Music Festival, Minnesota Orchestra, Esterhazy Orchestra, New Orleans Philharmonic Orchestra and with the Denver Symphony Orchestra as soloist in over thirty major works.
The project is called 21st century Bach, and began showing in sections on BBC Two and BBC Four.
Throughout his career, Gregory has been a regular concert performer, giving performances in the UK of oratorios and orchestral music, including Bach’s St Matthew Passion, St John Passion, Mass in B Minor, Christmas Oratorio, Elgar’s Apostles, Handel’s Messiah and Britten’s War Requiem.
In March 1970, she was soprano soloist in a performance of Bach's St. John Passion at the Queen Elizabeth Hall.
She gave the world premiere of Bach’s recently discovered aria, Alles mit Gott und nichts ohn' ihn BWV 1127 with András Schiff and Quatuor Mosaïques.
Meanwhile she was invited from classical music circles where she played Béla Bartók, Franz Lehár, Sarasate, Debussy, Saint Sean, Fritz Kreisler, De Falla, Tchaikovsky, Dvorak, Franz Liszt, Max Bruch, Georg Boulanger, Bach, Vivaldi, Spohr, etc.
Known for singing works of various musicians such as Bach and Antonio Vivaldi, the choristers sing religious and secular music.
The entry requirements of this society resulted in both the famous 1746/1748 Haussmann portrait of Bach and his Canonic Variations on "Vom Himmel hoch da komm' ich her" for organ, BWV 769.
She sang in the St Matthew Passion in November 1929 (with Keith Falkner and Elsie Suddaby) at Westminster with the Bach Cantata Club under Charles Kennedy Scott.
The nine smaller classrooms/studio spaces and two additional rehearsal/practice rooms are named after prominent figures in theater and music: Duke Ellington, Lorraine Hansberry, Gustav Mahler, Martha Graham, Wolfgang Amadeus Mozart, William Shakespeare, Dmitri Shostakovich, Stephen Sondheim, Konstantin Stanislavski, Arthur Miller, and "B-3 or B-cubed," which stands for Bach, Brahms, and Beethoven.
On this basis the cantata may date from Bach's time in Arnstadt, where he was organist of St Boniface's church until his move to Mühlhausen in the summer of 1707.
Among his performances are Mahler’s ”Lieder eines fahrendes Gesellen” with the Academy of St. Martin in the Fields in London, Bach’s ”Christmas Oratorio” with the Drottningholm's Baroque Orchestra in Uppsala and Rossini’s ”Petite Messe Sollenelle” in Köln Philharmonie, Kverno's "St. Matthew Passion" in New York and Manoa in Handel's "Samson" at the London Handel Festival.
The title Notebook for Anna Magdalena Bach refers to either of two manuscript notebooks that the German Baroque composer Johann Sebastian Bach presented to his second wife, Anna Magdalena.
He has also recorded a viola da gamba interpretation of the cello suites of J. S. Bach.
Partita (also Partia, in German) was originally the name for a single-instrumental piece of music (16th and 17th centuries), but Johann Kuhnau (Thomaskantor till 1722, followed by Bach) and later German composers (notably Johann Sebastian Bach) used it for collections of musical pieces, as a synonym for suite.
The name Paul Procopolis was used to reissue recordings by the pianist Sergio Fiorentino, including the complete Chopin waltzes, extracts from Bach's Well-Tempered Clavier, and works by Liszt.
While J.S. Bach in his instrumental and orchestral suites would often place every movement in the same key (see, for example, the solo cello Suites, BWV 1007-1012 or the equally homotonal A minor solo flute partita BWV 1013), in a work like his St Matthew Passion he felt able to 'progress' from an E minor start to an ending in C minor, and his Mass in B minor actually ends in D major.
According to the 2001 Census, 75.2% of people in Quarter Bach can speak Welsh, the highest percentage of any ward in Carmarthenshire and indeed in the southern half of Wales.
Also in her repertoire were vocal-symphonic works by Bach, Handel, Beethoven, Brahms, Mendelssohn, Mahler, Shostakovich and Hindemith.
For example in complete Bach recordings, Stephen Preston on Brilliant Classics (originally recorded by CRD UK) is accompanied by harpsichord and viola da gamba while on Hänssler Classic Jean-Claude Gérard is accompanied by piano and bassoon.
During her classical vocal performing years as a flexible soprano, Reeves performances included works by Handel, Bach, Mozart, Puccini, Ottorino Respighi, Charles Ives, Menotti, and Carlisle Floyd.
Books 4–10 continue the graded selection by incorporating 'standard' or 'traditional' student violin solos by Seitz, Vivaldi, Bach, Veracini, Corelli, Carl Ditters von Dittersdorf, Rameau, Handel, Mozart, Fiocco, and others.
Tamara Bach was born in 1976 in Limburg an der Lahn and grew up in Ludwigshöhe, Rhineland-Palatinate.
#Chorale Prelude BWV659 Nun komm, der Heiden Heiland (Bach arr. Busoni)
At its seaward end, Traeth Mawr joins "Traeth Bach" ("little sands"), the estuary of the Afon Dwyryd.
#"Beware Of The Boys (Mundian To Bach Ke) (Aaron LaCrate & Debonair Samir B-More Gutter Alternate Version)" - Panjabi MC
Mr. Aller made a piano arrangement for the left hand of the Chaconne from J. S Bach's Violin Partita in D minor, and, according to a press release, he spent 200 hours training actor Victor Francen in proper technique.
While Bach was on tour in Pittsburgh in 1918, a repairman destroyed his mouthpiece, and Bach began experimenting with mouthpiece repair and fabrication.
Recordings include Bach's complete motets, the Magnificats of both J.S. Bach and C.P.E Bach, and the first American recording of the F Major and G minor Masses, and three solo soprano cantatas featuring opera superstar Elizabeth Futral.
The Bach Choir of Bethlehem with Ifor Jones, conductor; Phyllis Curtin, soprano; Eunice Alberts, contralto; John McCollum, tenor; Mack Harrell, bass; Vernon De Tar, organ; The Philadelphia Orchestra.
J.S. Bach: Schäferkantate BWV 249a · Doppelkonzert nach BWV 1060, Edith Mathis, Hetty Plümacher, Theo Altmeyer, Jakob Stämpfli, Gächinger Kantorei & Figuralchor der Gedächtniskirche Stuttgart, Bach-Collegium Stuttgart, conductor Helmuth Rilling, Cantate-Musicaphon 1967
In the 1980s Lindley and Boxall showed that the above relies solely on C.P.E. Bach's testimony: all the extant fingerings from J.S.Bach and his circle use the ancient methods, with very limited use of the thumb.
In 2009-2011, Paul Stetsenko performed the complete organ works of J. S. Bach as part of Bach Vespers at Westminster, in Alexandria, VA.
As a performer he has expanded the solo repertoire of the Portuguese guitar with transcriptions of works by J.S.Bach, S.L.Weiss, D.Scarlatti, Seixas, S.de Murcia, R.de Visée and many others, as well as given first performances of original pieces by other contemporary composers.
In 1985 the Society organised a six-week Bach Festival in Sheffield to commemorate the 300th anniversary of the births of both J.S. Bach and Handel, during which event the Stadtkantorei from Sheffield's twin city of Bochum in Germany, performed Bach's Mass in B minor.