However, with the rise of the Rinzai school of Zen Buddhism a less technical style appeared, representative of Zen attitudes and exemplified in the works of Musō Soseki who wrote in a refined sosho style, or Shūhō Myōcho (1282–1337; better known as Daito Kokushi), the founder of Daitoku-ji in Kyoto, who had not traveled to China to study.
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In his later work, he began to incorporate elements of Chinese and Japanese calligraphic traditions into his art, seeking to construct a model for a modern pan-Asian artistic tradition which would merge the common aspects of Eastern spiritual and artistic culture.
He liked Waka (poetry), Haiku, Japanese calligraphy and drawing pictures and enjoyed waka and haiku with patients.
He has also published essays on Japan-related topics such as the Kojiki, Lafcadio Hearn and Japanese calligraphy.
After his house was destroyed in the 1923 Great Kanto Earthquake, he moved to Ashiya, Hyōgo, near Kobe, where he continued to teach Japanese calligraphy.