Under the English title of Jesu, Joy of Man's Desiring Bach's chorale has been arranged for different instruments and has gained wide popularity.
#* Original words and music by David Haas (based on a Navajo prayer, with parts adapted from Jesu, Joy of Man's Desiring by J. S. Bach, and Greensleeves/What Child Is This?); arrangement by P. Tirol
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Abdisho, whose name is spelled in many different ways (Abdisu, Abd-Jesu, Hebed-Jesu, Abdissi, Audishu) meaning Servant of Jesus, was born in Gazarta on the River Tigris, son of Yohannan of the house of Mari.
Of Cabbages and Kings featured Kizys, founder/guitarist/keyboardist/vocalist/producer Carolyn Master, Vinnie Signorelli (Unsane), Ted Parsons (Prong, Swans, Godflesh, Jesu, Teledubgnosis) and Diane Wlezein.
Blow the Wind: Pie Jesu is a piece by Jocelyn Pook with vocals by Pook, Kathleen Ferrier and Melanie Pappenheim.
Dr. Robert Herbert Brabant of Devizes introduced the book to David Strauss, author of Das Leben Jesu, and the Inquiry was translated into German (1839): Strauss wrote it a preface.
During Holy Week 2009, the Choir performed Arvo Pärt's Passio Domini nostri Jesu Christi secundum Joannem with Jerzy Kozlowski (as Jesus), Matthew Thomson (as Pilate) and Ensemble Gombert.
In 1838 he published a strong reply to David Strauss' Leben Jesu, and in that year he received the Legion of Honour.
Envy / Jesu is a split album between Japanese hardcore band Envy and Justin Broadrick's Jesu.
A spiritual madrigal M'empio gli occhi di pianto, to a text by Angelo Grillo, appeared in 1604, and the final work, published after his death, is Jesu decus angelicum for four voices and organ.
Post-Metal band Jesu used a sample of "Don't Dream It, Be It" on the track "Don't dream it" from the album Pale Sketches
His hymn tune St Botolph is very widely sung to the words Jesu the Very Thought of Thee (Edward Caswall's translation of Bernard of Clairvaux's Jesu Dulcis Memoria).
His work on the teaching of Jesus (Die Lehre Jesu, 1886-1890; Eng. trans. of second part, 1892) made him widely known.
Emil Schürer, Geschichte des jüdischen Volkes im Zeitalter Jesu Christi (1890) 190, 203, 217; ii.
Heart Ache/Dethroned is a compilation album by the Welsh band Jesu.
He edited a number of theological works: Habert, Theologia Graecorum Patrum vindicata circa materiam gratiae (1853); De Rubeis, De peccato originali, (1857); P. Marani, Divinitas D. N. Jesu Christi (1859).
The words of the movement nos. 2, 4, 6, 8, and 10 are based on the Epistle to the Romans 8:1–2, 9–11.
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The stanzas of the chorale are interspersed with passages from the Epistle to the Romans.
Outside scholarly circles Allatius is perhaps best known today for his De Praeputio Domini Nostri Jesu Christi Diatriba (A Discussion of the Foreskin of Our Lord Jesus Christ), a minor essay mentioned in Fabricius's Bibliotheca Graeca (xiv. 17) as an unpublished work.
One of the last compositions orchestrated for the mediaeval lituus was Bach's motet O Jesu Christ, meins Lebens Licht (BWV 118).
Niccolò Orlandini, Historiae Societatis Jesu pars prima, sive Ignatius (Rome, 1615);
He then travelled throughout Germany, demanding justice, telling the story of his life (Christliche Selbstgesprache, 1861), and lecturing on the life of Jesus (Die Geschichte Jesu. Fr das Verständniss der Gegenwart, 1859).
The settings of the Requiem Mass by Luigi Cherubini, Gabriel Fauré, Maurice Duruflé, John Rutter, Karl Jenkins and Fredrik Sixten include a Pie Jesu as an independent movement.
Cable Regime also featured Diarmuid Dalton (now bassist with Jesu) and Paul Neville (also early guitarist with Godflesh.
Among the other pieces included are Cello Suite No. 1 in G Major (I. Prélude), Jesu, Joy of Man's Desiring (transcribed for piano and later played again with string instruments in the end credits), and Pachelbel's Canon.
Following the earlier German Higher Critics, who argued for a historical approach to religious texts, David Strauss published Leben Jesu or The Life of Jesus, Critically Examined which argued that the events of the New Testament were not historical but rather mythical.
The CD and digital versions of the EP also feature a remix of "Vicarious Redemption" (originally on Vertikal) by Justin Broadrick of Jesu and Godflesh fame.
One of the last built by Bartolemeo Guissepe Guarneri, this Guarneri del Jesu instrument gained its name after being owned by the Belgian 19th century violinist Henri Vieuxtemps.