This hypothesis rests in part on the assumption that Fantosme integrated some characteristics of Occitan verse (perhaps coblas by the troubadour Jaufre Rudel) he encountered during a stay in Poitiers in the 1140s, where he probably studied under Gilbert de la Porrée.
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A Goliardic Latin poem defending the incarnation and atonement of Jesus Christ and which is preserved in many manuscripts is entitled in one near-contemporary source as Rithmus Jordanis Fantasmatis and it is likely that the author was Fantosme, or at least believed to be Fantosme.
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