Leopoldo de' Medici (1617-1675), Italian cardinal and Governor of Siena
Catherine de' Medici | Medici | Marie de' Medici | Lorenzo de' Medici | Villa Medici | São Leopoldo | Cosimo I de' Medici | Piero de' Medici | Giovanni de' Medici | Ferdinando I de' Medici, Grand Duke of Tuscany | Cosimo de' Medici | Leopoldo Federico | Cosimo I de' Medici, Grand Duke of Tuscany | Leopoldo Batres | Cosimo III de' Medici, Grand Duke of Tuscany | Leopoldo Alas | House of Medici | Leopoldo O'Donnell, 1st Duke of Tetuan | Leopoldo Alas (Clarín) | Ippolito de' Medici | Giulio de' Medici (d. 1600) | Giulio de' Medici | Gian Giacomo Medici | Gian Gastone de' Medici, Grand Duke of Tuscany | Ferdinando de' Medici | Cosimo II de' Medici, Grand Duke of Tuscany | Antonio de' Medici | Anna Maria Luisa de' Medici | Venus de' Medici | Portrait of Lucrezia (di Cosimo) de' Medici attributed to Alessandro Allori |
One relic of his rule sometimes pointed out as a symbol of Medici oppression is the massive Fortezza da Basso, today the largest historical monument of Florence.
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:This article is on the first Duke of Florence.
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Historians (such as Christopher Hibbert) believe he had been born to a mulatto servant who was working in the Medici household, identified in documents as Simonetta da Collevecchio.
According to Vasari, Lombardi was commissioned and prepared models for Pope Clement VII’s sepulchral monument, but this project was never completed due to the death of Cardinal Ippolito de' Medici, who had promised the work to Lombardi.
On the history of Florence and of Tuscany he wrote Tavole cronologiche e sincrone della storia fiorentina (1841; Supplement, 1875); Geschichte Toscanas seit dem Ende des florentinischen Freistaats (History of Toscany since the end of the Florentine freestate, Gotha, 1876–77); and a work on Lorenzo de' Medici (Leipzig, 1874, and again 1883).
In 1584 the combined collection was purchased en bloc by Cardinal Ferdinand de' Medici and dispersed among various Medici dwellings, mostly at the Villa de Medici in Rome, but transferred in part to Florence, where della Valle sculptures can be seen today in the Palazzo Pitti and the Boboli Gardens, in the Uffizi and at the Medici villa at Poggio Imperiale.
For instance, a collection of monodies by Pietro Antonio Giramo, entitled Hospedale degli Infermi d'amore, was dedicated to Anna in Naples in the mid-seventeenth century (the specific date is unknown); it humorously presented the various forms of insanity caused by love.
Within hours of Francesco's death on 18 October 1587, Bianca Cappello was dead, too, poisoned, it was thought, at the direction of the Cardinal, who now set aside his orders and took up rule as Ferdinando de' Medici, Grand Duke of Tuscany.
Born into a family of modest social conditions in Montelupo Fiorentino, he moved at eighteen to Florence and pursued the study of sculpture, attending the "scuola" of Bertoldo di Giovanni, founded in the gardens of Lorenzo de' Medici and attended by other young sculptors including Michelangelo, Giovanni Francesco Rustici, and Jacopo Sansovino.
Ferdinando, a lover and patron of music, was the son and heir of Cosimo III, Grand Duke of Tuscany.
For example, one of Carolyn Meyer's recently published works is Duchessina, which is the story of the life of Catherine de' Medici.
The Champs-Élysées was originally fields and market gardens, until 1616, when Marie de' Medici decided to extend the axis of the Tuileries Garden with an avenue of trees.
He coincided with the final months of Gian Gastone de' Medici, the last Medici Grand Duke.
At the time of the Wars of Religion between Catholics and Protestants, it was the site of the signature of the Treaty of Nemours in 1585 between Catherine de' Medici and the Duke of Guise, which ratified the progress of the Catholic League and urged Protestants to leave the kingdom, before “good” King Henri IV finally put an end to the quarrels nearly a century later with the Edict of Nantes.
Cosimo de' Medici ('the Elder', Pater Patriae) (1389-1464), first Medici ruler of Florence
Gordon was the son of the 2nd Duke of Gordon and was named after his father's close, Jacobite friend, Cosimo III de' Medici, Grand Duke of Tuscany.
This lady, dame d'honneur to Henry II's queen, Catherine de' Medici, and afterwards wife of Albert de Gondi, duc de Retz, won a great reputation by her intellectual attainments, being referred to as the tenth muse and the fourth grace.
The principality was confiscated by King Francis I of France in 1523, along with the other possessions of the Constable de Bourbon, was granted in 1527 to the queen-mother, Louise of Savoy, and after her death was held successively by kings Francis I, Henry II and Francis II, and by Catherine de' Medici.
Ferdinando II de' Medici, Grand Duke of Tuscany, (1610–1670), Grand Duke of Tuscany 1621–1670
The fact that the Codex Magliabechiano is dedicated to Piero de' Medici and was conserved in Florence suggests that Filarete was well regarded in his native Florence despite his loyalty to Milan.
He was named a member (Accademico) of the prestigious Accademia delle Arti del Disegno of Florence, founded by Cosimo I de' Medici in 1563.
He made his way up through the clerical ranks as Referendary of the Tribunals of the Apostolic Signature of Justice and of Grace (1580), and later went to serve the grand-duke of Tuscany, the former Cardinal Ferdinando de' Medici.
He soon was at the center of a group of art connoisseurs and historians that stretched from Paris to the court of the Grand Duke of Tuscany in Florence.
During Luigi de' Medici's constitutional Neapolitan government following the restoration of the Kingdom of the Two Sicilies, Spinelli was sent to Paris on a diplomatic mission of Louis XVIII of France and to Vienna on one to Francis II (both in 1820).
In 1593, he was called by Cosimo de' Medici, the Grand Duke of Tuscany, to Pisa.
Carlo de Gondi was a staunch backer of Piero de' Medici, and when the Medici came to be Grand Dukes, the Gondi received empty but honorary titles of Senators.
Guidobaldo became a staunch friend of Galileo and helped him again in 1592, when he had to apply to the chair of mathematics at the University of Padua, due to the hatred and machinations of Giovanni de' Medici, a son of Cosimo I de' Medici, against Galileo.
His successor Louis XIII, under the regency of his Italian Catholic mother Marie de' Medici, became more intolerant of Protestantism.
# In 1593, Ferdinando I de' Medici, Grand Duke of Tuscany, granted Portuguese Jews charters to live and trade in Pisa and Livorno (see Jewish community of Livorno).
A patron of the arts, she bequeathed the Medici's large art collection, including the contents of the Uffizi, Palazzo Pitti and the Medicean villas, which she inherited upon her brother Gian Gastone's death in 1737, and her Palatine treasures to the Tuscan state, on the condition that no part of it could be removed from the capital Florence.
When Cosimo III de' Medici handed over the monastery del Monte (on San Miniato near Florence, also called Monte alle Croci) to the members of the Riformella, St Leonard was sent hither under the auspices and by desire of Cosimo III, and began shortly to hold missions among the people of Tuscany.
Due to the fact that the Duke shared the same name, Lorenzo di Piero de' Medici, with his more famous grandfather, Lorenzo the Magnificent, who is buried nearby, the grand tomb is often mistaken for that of his grandfather.
Fakhr-al-Din chose to seek exile in Italy from 1613 until 1618 where he was hosted by Cosimo II de' Medici, Grand Duke of Tuscany.
To welcome the couple back to Parma, Mercury and Mars, with music by Claudio Monteverdi and text Claudio Achillini was performed in the Teatro Farnese.
The rooms built for her at the monastery by the architect Giulio Parigi were connected by a series of raised passages above street level across which she could move without use of stairs and, above all, without any need to cross the street and expose herself to public gaze.
Francesco and Johanna's other daughter was Marie de' Medici, who married Henry IV of France and was the mother of Louis XIII of France and Henrietta Maria of France.
Dodge's role in the preservation and patronage of art disallowed by the government led to his being called "the Lorenzo de' Medici of Russian art" (Elena Kornetchuk in Mcphee 1994).
He served both Marie de' Medici and her son Louis XIII during a period of conflict between Catholics and Protestants in France, the French Wars of Religion.
Set along one of the walls is the porphyry and bronze sarcophagus of Giovanni and Piero de' Medici by Verrocchio.
The masque was unique in that both Charles I and his queen, Henrietta Maria, performed in it; the Queen's mother, Marie de' Medici, was in the audience.
"Contemporaries called Savva Mamontov "Savva the Magnificent" likening him to Duke Lorenzo de' Medici who was known as Lorenzo the Magnificent. But Savva Mamontov was more than a patron of arts and letters, he was a businessman as well, and his contribution to both the national economy and the arts was equally great." (The Russian Cultural Navigator)
The spinnettoni that Cristofori built were intended for the Medici family of Florence, more specifically for his patron Prince Ferdinando, the son of Grand Duke Cosimo III and heir to the Tuscan throne.
(The actual Cosimo I had eleven children, including one named Giovanni; and there are several other Giovanni de' Medicis is the historical record.
--sic? the CathEnc has 'Bibliotheque Rationale', which seems to be an ORC error--> and was probably brought from Florence by Catherine de' Medici.
In both media, the series usually focused on strange-but-true historical events, both little-known and famous, as well as figures such as Catherine de' Medici and Nostradamus.
Francesco's heir, his brother Ferdinando, was persuaded to part with them in 1597 by his niece Maria, married to Henri IV.
Baltasar de Beaujoyeulx, virtuoso violinist and master of ceremonies for Catherine de' Medici's court festivals, he created the Ballet Comique de la Reine, the first ballet.
The Vasari Corridor was built in 5 months by order of Grand Duke Cosimo I de' Medici in 1564, to the design of Giorgio Vasari.
Giorgio Vasari records a writing cabinet adorned with bronze replicas of the antique Dioscuri, the Apollo Belvedere, the Farnese Hercules and the Venus de' Medici and at least sixteen other statuettes by Fiammingo; it was commissioned by Nicolò Orsini, conte di Pitigliano and completed in 1559, intended as a diplomatic gift for Philip II of Spain.