Liner notes now usually include information about the musician, lyrics, a personnel list, and other credits to people the musicians want to thank and people or companies involved in the production of the music.
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The original record had no liner notes; the 2004 reissue on RCA Records contained extensive liner notes by Rich Kienzle, who provided a song-by-song summary of the album, along with background information on the latter's creation.
The album cover features a black-and-white photo portrait shot by Grammy award winning photographer Don Bronstein of Little Walter holding/playing a Hohner 64 Chromatic harmonica and liner notes by Studs Terkel, who had written Giants of Jazz.
The album's liner notes state that the music was selected from a publication entitled Tonioù Breizh-Izel (Traditional Tunes from Lower Brittany), which contains over 3,000 tunes collected by Polig Monjarret, who collaborated with Paddy Moloney in choosing the tunes for the album.
The album also contains a 62-page booklet of liner notes, which contain photographs, artwork, accounts from vocalist/guitarist Stephen Malkmus and guitarist Scott Kannberg (aka "Spiral Stairs"), and notes Malkmus wrote for Melody Maker about each of the songs on the original album.
Schow has also been a frequent contributor to DVD extras content (liner notes) for horror film distributors Grindhouse Releasing/Box Office Spectaculars, notably on the upcoming North American DVD release of Italian horror filmmaker Lucio Fulci's Cat in the Brain.
Marek also wrote magazine articles, e.g. for Harper's Bazaar, and liner notes; he was nominated for the 1977 Grammy Award for Best Album Notes for Beethoven: The Five Piano Concertos, with Daniel Barenboim conducting the London Philharmonic Orchestra and Arthur Rubinstein playing the piano.
The original liner notes by Willie Nelson describe the first time Jennings and Nelson met, in Phoenix, Arizona.
I've Always Been Crazy was reissued in 2004 on RCA Records; the original version had no liner notes, while those present in the reissue were written by Rich Kienzle.
Because of his musical expertise, Pewter has been busy compiling and producing CDs and writing liner notes for MCA Music Entertainment, Varese Sarabande Records, Quality, Rhino, and GNP Crescendo.
One of the highlights of Lockyer's career was arranging and conducting the Bing Crosby album Holiday in Europe (1961), described as "one of the all-time Crosby classics" by the noted jazz critic Will Friedwald in his liner notes to the CD Bing Crosby: Legends of the 20th Century, which includes seven tracks from the album.
The original version of Moanin' in the Moonlight featured cover artwork by Don S. Bronstein and sleeve notes by Billboard editor Paul Ackerman.
Bee Gee Robin Gibb also appears on the album, and according to the LP's liner notes, "appears courtesy of his children - Melissa and Spencer Gibb"
Writing in the album's liner notes, Paddy Moloney said, "These recording sessions hold special memories for The Chieftains and myself, and bring together all the colours of this festive season."
The liner notes from their first album proudly proclaims "No MIDI" to demonstrate that they played things by hand, rather than using computer sequencing, which is common for synthesizer music.
The song was also included on the English album 200 km/h in the Wrong Lane, where its title was incorrectly transliterated to "Ya Shosla S Uma" on the back cover and the CD label and to Ya Shola S Uma on the liner notes while on the greatest hits CD The Best, it was misspelled as "Ya Soshia S Uma".
In the liner notes to Nirvana, Rolling Stone writer David Fricke erroneously states that the song had gone under the previous titles of "Autopilot" and "I'm a Mountain."
(The "serious" liner notes on the back also bear a Pythonesque stamp: the biography of Beethoven quickly turns into a commentary on Beethoven's Wimbledon debut.)
The cover of the album features an image by Viking 1, the first spacecraft to land on Mars; the album's liner notes include additional imagery of the planet's landscape as taken by the spacecraft on July 20, 1976.
As with the rest of the reissues, the album featured remastered sound, newly-written liner notes by Gallagher's brother Donal, and bonus tracks "Rue the Day" and "Public Enemy" (an early version of a track that later appeared on Gallagher's 1979 album Top Priority).
According to the liner notes of their first recording, their musical association began when they found themselves at the Blackfriars station without enough money for the fare to get home.
The Russian album includes liner notes in Russian, from text that was originally in English by Roy Carr of the NME.
It features unaccompanied performances on an Austrian-made Rieger pipe organ, with liner notes provided by jazz critic and lyricist Gene Lees.
In the 2005 re-release liner notes, Monte Conner notes Richardson's focus on the guitars at the expense of the electronics, and suggests that this is the reason for the rejection of Richardson's mix.
Shaun Morgan of Seether is photographed wearing a Strhess shirt in the liner notes of One Cold Night, a live acoustic album.
This slow dramatic piano ballad was described by Robin in the liner notes of Tales from the Brothers Gibb box set as "...the dawning, or the closing, of the 'gotta find out who I really am' era."
It was recorded live at the Metro Chicago, courtesy of WXRT (according to the liner notes on the back of the CD).
In the album's liner notes McLennan said the songs were for Gloria Swanson, Kenneth Slessor, Brett Whiteley and Dean Martin.
Anthony Heilbut, Liner Notes to "Kings of the Gospel Highway" CD, Shanachie, c.
Hard Hat Area is the eighth studio album by guitarist Allan Holdsworth, released in 1993 through Polydor Records (Japan) and Fred Bloggs Music (United Kingdom), and in 1994 through Restless Records (United States); a remastered edition with expanded liner notes was reissued on May 15, 2012 through MoonJune Records.
According to Board's liner notes for Allin's posthumous studio album Brutality and Bloodshed for All (1993), Allin arrived at the studio carrying a big bottle of Jim Beam whiskey that was already about seven-eights empty, and in a rather visibly disheveled condition from not having bathed or cut his hair in quite some time.
In one of TISM's many references to Australian Football League football, the liner notes, which chronicle the rise, fall and disbanding of TISM, and the band members individual exploits around the world, were credited to E.J. Whitten, argued by some to be the greatest AFL player of all time; a picture of Whitten appeared on the cover of the EP Gentlemen, Start Your Egos (1991).
Frank Zappa, in the liner notes of the Mothers of Invention album We're Only in It for the Money, recommends reading the short story before listening to the track "The Chrome Plated Megaphone of Destiny."
The albums were compiled by Trevor Wyatt, contain extensive liner notes and the covers were painted by artists based on photos.
Werner Herzog has said in the film's DVD commentary that "This film achieves things never seen before in the history of cinema." The American director Jim Jarmusch writes in the DVD liner notes that Land of Look Behind is "striking...beautiful...near-perfect."
The 2 LP Set Little Brother Montgomery - Crescent City Blues (AXM2-5522), published by RCA in 1975, featuring many of his Bluebird records from the mid-1930s also has comprehensive liner notes giving an overview of his musical career.
In 1997 he received a Grammy nomination for his liner notes to the CD Farewells & Fantasies, a retrospective of music by '60s protest singer Phil Ochs. His book Dixie Lullaby: A Story of Music, Race and New Beginnings in a New South was published by Free Press/Simon & Schuster in 2004 and issued in soft cover by the University of Georgia Press in 2006.
In Leonard Feather's four-star review, published in The Los Angeles Times shortly after the album's release, any reservations expressed are confined to the album's liner notes.
In 1992, McGear was re-released by See For Miles Records in the U.K. with two bonus tracks, "Dance The Do" and "Sweet Baby," which had been the B-side of "Leave It." The liner notes quote McGear as saying that "Sweet Baby" had originally been named "All My Lovin'" but "some other group had already done one with that name."
Though the original liner notes state that it was recorded at the Club DeLisa in Chicago, it was actually recorded at Capitol's Hollywood studio with an invited audience and an open bar.
The song mentions a "Dr. B" and Bird identifies him in the album liner notes as Bruno Bettelheim, an early autism researcher.
He is mentioned multiple times in the liner notes of the In This Moment albums Beautiful Tragedy and The Dream as well as the Daysend album The Warning.
Philomath is mentioned in the 1985 R.E.M song "Cant Get There from Here", with singer Michael Stipe singing the lines "If you're needing inspiration, Philomath is where I go by dawn" and "Philomath they know the low-down." The liner notes for the band's Eponymous compilation album identify Philomath as "located between Lexington and Crawfordville and used to have its own post office."
Posterity Records' first release was a recording of poet Irving Layton reading at Le Hibou Coffee House in 1963, produced by William Hawkins, with liner notes by Roy MacSkimming.
"Turiya", according to the liner notes, "was defined by Alice as 'a state of consciousness — the high state of Nirvana, the goal of human life", while "Ramakrishna" is named after the 19th-century Bengali religious figure; this track omits the horns.
(Anthony Heilbut, liner notes to When Gospel Was Gospel, Shenachie, 2005, p. 5)
Arun Shenoy - Album Artist, Arranger, Art Direction, Composer, Engineer, Liner Notes, Producer
The album was released in 1991 and recorded live in London and Kitchener (misspelled in the liner notes at "Kitchner") Ontario, Canada, in October 1990.
The liner notes from the "Post Post-Modern Man" single revealed that circle is actually a computer simulation of the planet Jupiter.
According to the Star Rise liner notes: the Nitin Sawhney remix of Tracery, created after Khan's death, is the only track without Khan's feedback.
The album was originally released, featuring liner notes by Robert Sandall, as both a one disc edition and two disc edition.
SYR3 follows the band's tradition of having the liner notes for SYR releases written in foreign languages, in this case using Esperanto.
The Broadsword and the Beast is the 14th studio album by Jethro Tull, released on 10 April 1982 (see 1982 in music) and according to Ian Anderson in the liner notes of the remastered CD, contains some of Jethro Tull's best music.
The liner notes are by John D. Loudermilk who discusses the burning of Atlanta and the Atlanta Conservatory of Music during the American Civil War.
The re-mastered album was released on CD in 2006 by EMI featuring 6 bonus tracks and liner notes by Labi Siffre.
On the liner notes to The Tra-La Days Are Over Sedaka added the dedication: "Thanks to Mike Curb for letting me have my way."
The liner notes describe this piece as an “acoustic room resonance derived from delayed feedback.”
Brubeck points out in his liner notes that "'Unsquare Dance', in 7/4 time, is a challenge to the foot-tappers, finger-snappers and hand-clappers. Deceitfully simple, it refuses to be squared. And the laugh you hear at the end is Joe Morello's guffaw of surprise and relief that we had managed to get through the difficult last chorus".
Orchestrator John Morgan enlarged all sections of the orchestra for the latter, referring to Samuel Barber's Adagio for Strings as Herrmann's main influence on the score in the liner notes.
The CD release also contains a 32-page booklet which, in addition to liner notes and lyrics, also includes drawings and poems from Jason Lytle of Grandaddy, Jamie Stewart of Xiu Xiu, Zac Pennington of Parenthetical Girls, Brent Knopf of Menomena and Ramona Falls, and Paul Heaton of The Housemartins and The Beautiful South, among others.
The reissue includes a booklet with liner notes by Ron Forbes-Roberts and notes by musicians Ferguson, Emmons, and Kenny Malone.
1987 Grammy Award for Best Album Notes for his liner notes for The Voice – The Columbia Years 1943-1952, performed by Frank Sinatra.