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A monument to Joubert at Bourg-en-Bresse was razed by order of Louis XVIII, but another memorial was afterwards erected at Pont de Vaux.
Built in Greek Revival style, the church is noted for its marble altars, a painting of Saint Louis venerating the Crown of Thorns given by Louis XVIII, King of France and Navarre, and an accurate copy of the painting of the Crucifixion by Diego Velázquez installed in the church in the latter half of the twentieth century.
Chateaubriand steak, or just chateaubriand, is a recipe of a particular thick cut from the tenderloin (fillet), which, according to Larousse Gastronomique, was created by personal chef, Montmireil, for François-René de Chateaubriand and Sir Russell Retallick, the authors and diplomats who served Napoleon as an ambassador and Louis XVIII as Secretary of State for two years.
Restoration of several theaters and buildings of the École des beaux-arts (1822-1832), set in the old musée des monuments français, founded in 1795 in the former Couvent des Petits Augustins, and closed by Louis XVIII in 1816.
Louis XVIII made Bosio a Knight of the Order of Saint Michael in 1821 and appointed him premier sculpteur du Roi.
In 1795 he joined King Louis XVI's middle brother, the comte de Provence, at Verona as an émigré minister of the House of Bourbon.
The Restoration of Louis XVIII saw the return of the old nobility to power (while ultra-royalists clamored for a return of lost lands).
Following Napoleon's return and defeat at the Battle of Waterloo, the General Jean Rapp, having wind of intentions to annex Alsace and under the orders of Louis XVIII continued to fight on the Souffel, just north of Hoenheim.
Louis XVIII, now back in Paris, allowed Bellavène to retire to Milly-la-Forêt on 27 September 1815, where Bellavène died in 1826.
Suzannet was severely wounded at the Battle of Rocheserviere on June 20, 1815 fighting for King Louis XVIII against troops loyal to Napoleon Bonaparte, as a result of his injuries Suzannet died the next day at Aigrefeuille-sur-Maine.
When the question of the coronation of Louis XVIII arose, he wrote, as an answer to Volney, a minute treatise on the Harmonies du sacre, which was published at the time of the coronation of Charles X.
Cléry became valet to the Count of Provence (future Louis XVIII) and gave him his journal detailing the events of the revolution.
Louis XVIII treated him extremely well with Compiègne, created him Knight of the Order of Saint-Louis and commander of the Légion d'honneur on 13 August 1814 and named him ambassador to Saint Petersburg, where he remained until 1819; persona grata with the czar, he was the only foreign minister allowed at the imperial table on the dinner of 24 December 1814.
In 1814 he regained possession, restored the old title, and continued his support of the royalist cause during the Hundred Days, joining Louis XVIII in the Southern Netherlands, where he edited the Moniteur Universel as Moniteur de Gand.
One of the first decisions of Louis XVIII when he acceded to the throne of France at the time of the Bourbon Restoration, was to move the remains of his brother and sister-in-law, King Louis XVI and his Queen Marie Antoinette, to the necropolis of the Kings of France, the Basilica of St Denis.
Comte d'Artois was the youngest of the three sons of Louis, Dauphin of France (son of Louis XV) and Marie Leszczyńska and, unlike his two brothers Louis XVI and the future Louis XVIII, was inclined for the most part to easy and expensive pleasures, while reluctant to engage in reading and reflection.
Dufief, though a stripling of fifteen, joined in 1792 the royal naval corps assembled under the Charles Hector, comte d'Estaing at Enghien, and went through the campaign with his regiment in the army of the brothers of Louis XVIII until its disbandment.
One of the first acts of Louis XVIII was to reinstate the Order of Saint Louis, awarding it to officers of the Royal and Imperial armies alike.
The Pierre Louis de Blacas d'Aulps ministry was a de facto cabinet ministry of France that lasted from 13 May 1814 to 19 March 1815, during the First Restoration of Louis XVIII as king.
During the First French Empire (1804-1814), Napoléon I renamed the bridge the Pont des Tuileries, a name that was kept until the Restoration in 1814 when Louis XVIII gave back to the bridge its royal name.
The following were his guests from 19 to 29 August 1792: King Louis XVI's brothers, the counts of Provence and of Artois, the futue kings Louis XVIII and Charles X, and the writer François-René de Chateaubriand.
With this agreement from the Holy Alliance, on 28 January 1823 Louis XVIII announced that "a hundred thousand Frenchmen are ready to march, invoking the name of Saint Louis, to safeguard the throne of Spain for a grandson of Henry IV of France".
Anne Nompar de Caumont, countess of Balbi (1753–1832), mistress of the count of Provence, who later became Louis XVIII
Bourbon Restoration, the restoration of the French monarchy under Louis XVIII.
Selected paintings by the 18th-century artists from the Gallery collection include the 'Portrait of the Lee Family' by Joseph Highmore, 'David Garrick in 'The Provoked Wife' by Johann Zoffany, 'Portrait of Erasmus Darwin' (1792) by Joseph Wright of Derby, 'Apotheosis of Penelope Boothby' by Henry Fuseli, 'Arrival of Louis XVIII at Calais' by Wolverhampton-born Edward Bird.