St. Louis | St. Louis Cardinals | Louis Armstrong | Louis Vuitton | Robert Louis Stevenson | Louis XIV of France | St. Louis County, Minnesota | Joe Louis | Nicolas Poussin | Louis IX of France | Louis Pasteur | Louis Mountbatten, 1st Earl Mountbatten of Burma | Saint Louis University | Washington University in St. Louis | Jacques-Louis David | Louis XIII of France | Louis XV of France | St. Louis Rams | Saint Louis | Louis XVI of France | Louis Agassiz | Louis the Pious | St. Louis Blues | Louis Andriessen | Spirit of St. Louis | Louis Comfort Tiffany | Louis | Louis XVIII of France | St. Louis Post-Dispatch | Louis Philippe II, Duke of Orléans |
Other significant late works painted by Carracci in Rome include Domine, Quo Vadis? (c. 1602), which reveals a striking economy in figure composition and a force and precision of gesture that influenced on Poussin and through him, the language of gesture in painting.
was one of Cardinal Mazarin’s most prized pictures, and influential for Poussin’s early Battle paintings as well as his paintings of the Seasons for Louis XIV 40 years later.
François Marius Granet, The Death of Poussin, acquired by Anatole in 1833.
In 1976 Haskell, who often served on advisory committees for museum loan exhibitions, joined the National Art Collections Fund committee and became one of its most vocal members, defending the purchase of Poussin's Rebecca and Eliezar for the Fitzwilliam Museum in Cambridge (the government refused to accept the painting because it had been in the collection of the disgraced Anthony Blunt).
Many of Dufourt's larger works have been inspired by the paintings of artists as various as Brueghel, Giorgione, Rembrandt, Poussin, Guardi, Goya, and Pollock (Pasler 2011, 198, 227).
Paintings by Velázquez, Titian, Poussin, and Claude Lorraine, as well as an unrivalled series of 18th-century family portraits by artists such as Gainsborough, Reynolds, Vigee-Lebrun, Batoni, Angelica Kauffman, Ramsay, Van Loo, and Hogarth.
Influenced by the techniques of Rosa, Lorrain, Poussin, Raeburn and renowned English landscape artist Turner, he developed a broad Romantic style, and became a landscape artist with an established reputation.
The same year Poussin painted a companion piece to Landscape with the Ashes of Phocion, The Funeral of Phocion, in three versions.
He threw down the "wretched mud cabins" occupied by his tenants and built new houses on his estate which were paid for be the sale of some of the family's most prized paintings, i.e., The Gastor Poussin and a Hobbema.
Batoni befriended Winckelmann and, like him, aimed in his painting to the restrained classicism of painters from earlier centuries, such as Raphael and Poussin, rather than to the work of the Venetian artists then in vogue.
For the artist Morghen, he completed a drawing of Poussin's Dance of the Hours, of Raphael's Jurisprudence, Transfiguration, and Miracle of Bolsena; and of Murillo's Magdalene.
In the same way he challenged Louis de La Vallée-Poussin, the great Buddhist scholar, before a little assembly presided over by McTaggart.
The film is almost totally restricted to her apartment's bedroom, decorated by a huge reproduction of Poussin's Midas and Bacchus (c.1630), which depicts naked and partially clothed men.
In the same year Poussin painted a companion piece to The Funeral of Phocion, Landscape with the Ashes of Phocion.
He published several books on art and artists, including Jack B. Yeats: An Appreciation and an Interpretation (on Jack Butler Yeats) and Pictures in the Irish National Gallery (both 1945), and Nicolas Poussin (1960) on Nicholas Poussin.