Other significant late works painted by Carracci in Rome include Domine, Quo Vadis? (c. 1602), which reveals a striking economy in figure composition and a force and precision of gesture that influenced on Poussin and through him, the language of gesture in painting.
was one of Cardinal Mazarin’s most prized pictures, and influential for Poussin’s early Battle paintings as well as his paintings of the Seasons for Louis XIV 40 years later.
Camillo Massimo (20 July 1620 – 12 September 1677) was an Italian cardinal in 17th century Rome, best remembered as a major patron of Baroque artists such as Pouissin, Lorrain, Velázquez, Duquesnoy, Algardi, Francesco Fontana and Cosimo Fancelli.
In September 2012 Paraskos will guest curate an display of Head's work alongside that of Nicolas Poussin at Dulwich Picture Gallery in London.
In 1976 Haskell, who often served on advisory committees for museum loan exhibitions, joined the National Art Collections Fund committee and became one of its most vocal members, defending the purchase of Poussin's Rebecca and Eliezar for the Fitzwilliam Museum in Cambridge (the government refused to accept the painting because it had been in the collection of the disgraced Anthony Blunt).
He first trained under his father, but afterwards by Nicolas Poussin.
His writings include studies on Wilhelm Lehmbruck, Eugène Delacroix, Nicolas Poussin, Jan Vermeer, John Constable, Paul Cézanne, Raphael, Vincent van Gogh, Paolo Veronese, Ernst Barlach and attacks on the methodology of the "second Vienna school" of art history dominated by Hans Sedlmayr.
He was a protégé of Cardinal Vincenzo Giustiniani, who was renowned for his patronage of painters, including Caravaggio, Nicolas Poussin and Domenichino.
He then moved to Rome, where he worked in the studios of Nicolas Poussin and Pietro da Cortona.
Sacchi's position would be reinforced in future years by Nicolas Poussin.
He was also a patron of Nicolas Poussin, commissioning A Dance to the Music of Time from him and dictating its iconography.
For the artist Morghen, he completed a drawing of Poussin's Dance of the Hours, of Raphael's Jurisprudence, Transfiguration, and Miracle of Bolsena; and of Murillo's Magdalene.
The film is almost totally restricted to her apartment's bedroom, decorated by a huge reproduction of Poussin's Midas and Bacchus (c.1630), which depicts naked and partially clothed men.
The wings of the long main house have circular pavilions with preserved decorated vaulted roofs, where formerly the family displayed their art collection, which reputedly held works by Hans Holbein, Nicolas Poussin, Claude Lorrain and Antoine Watteau .
Nicolas Sarkozy | Nicolas Cage | Nicolas Poussin | Nicolas Baudin | Nicolas Roeg | Nicolas Anelka | Nicolas Philibert | Nicolas Léonard Sadi Carnot | Nicolas Winding Refn | Nicolas Steno | Nicolas Bourriaud | Nicolas | San Nicolás | Nicolas Slonimsky | Nicolas Oudinot | Nicolas Hulot | Nicolas Hodges | Nicolás Guillén | Nicolas Boileau-Despréaux | Nicolas Berggruen | San Nicolas Island | San Nicolas | Nicolas Louis de Lacaille | Nicolas Ghesquière | Louis Nicolas Vauquelin | Theodore Nicolas Gobley | San Nicolás District, Carlos Fermín Fitzcarrald | Poussin's | Nicolas-Théodore de Saussure | Nicolas Schöffer |
He created a romantic landscape garden, or jardin tableau, to highlight the view of the ruined castle, inspired by the paintings of Nicolas Poussin, Claude Lorraine and Hubert Robert.
"Et in Arcadia ego" is a Latin phrase that most famously appears as the title of two paintings by Nicolas Poussin (1594–1665).
Nicolas Poussin (1594-1665), a French painter in the classical style whose work predominantly features clarity, logic, and order, and favors line over color; served as an alternative to the more narrative Baroque style of the 17th century.
Many of Dufourt's larger works have been inspired by the paintings of artists as various as Brueghel, Giorgione, Rembrandt, Poussin, Guardi, Goya, and Pollock (Pasler 2011, 198, 227).
Under Snyder's direction, the museum has made important acquisitions, among them the Beth Shean Venus (3rd Century CE); the First Nuremberg Haggadah, Germany (ca. 1449); Nicolas Poussin’s Destruction and Sack of the Temple of Jerusalem (1625); Rembrandt van Rijn’s St. Peter in Prison (1631); Jackson Pollock’s Horizontal Composition (1949); the Arturo Schwarz Collection of Dada and Surrealist Art; and Olafur Eliasson’s Your Activity Horizon (2004).
Influenced by the techniques of Rosa, Lorrain, Poussin, Raeburn and renowned English landscape artist Turner, he developed a broad Romantic style, and became a landscape artist with an established reputation.
Nicolas Chaperon (Châteaudun, bapt. 19 October 1612 — Lyon 1656) was a French painter, draughtsman and engraver, a student in Paris of Simon Vouet whose style he adopted before he was further matured by his stay in Rome (1642–51) in the studio of Nicolas Poussin.
While the parable itself is seldom depicted in art, there are numerous depictions of the anointing, by Sandro Botticelli, Antonio Campi, Dirk Bouts, Onofrio Avellino, Cigoli, Nicolas Poussin, Bernardo Strozzi, and Peter Paul Rubens, among others.
He patronised and encouraged major artists of his era, in particular Nicolas Poussin (1594–1665) and Gian Lorenzo Bernini (1598–1680).
The museum displays paintings by painters such as Rembrandt, Rubens, Nicolas Poussin, Claude Gellée, Fragonard, Hubert Robert, Greuze and a remarkable collection of 19th-century painting and sculpture: Ingres, Géricault, Delacroix, Courbet, Monet, Sisley, Pissarro, Cézanne, Modigliani, Carpeaux, Maillol, Rodin etc.
The seminary's oratory or chapel was built between 1683 and 1689, with interior decoration by Jacques Stella, Nicolas Poussin and Simon Vouet, and it was this chapel that operated secretly as a parish church for the area during the Revolutionary era when the area's actual parish church of Saint-Sulpice was shut down.
In spite of his poverty he managed to get to Rome in 1636; there he studied the paintings of Nicolas Poussin, Claude Lorrain and Caravaggio among his eclectic selection of models, until he was forced to flee in 1638, to escape denunciation by the Inquisition for his Protestant faith.