Au rendez-vous de la mort joyeuse is a 1973 horror film directed by Juan Luis Buñuel (the son of Luis Buñuel).
Many of the directors and producers Farber championed in Negative Space are favored by Shepherd as well, including Val Lewton (Curse of the Cat People, a 5-star rated film), Preston Sturges, Jean-Luc Godard (Alphaville, Contempt), Luis Buñuel (The Exterminating Angel) and Nicolas Roeg (Cold Heaven).
La fièvre monte à El Pao ("Fever Mounts at El Pao", also known in English as Republic of Sin) is a 1959 film by director Luis Buñuel.
Some of the films that Milestone has distributed are by Alfred Hitchcock, Hiroshi Teshigahara, Luchino Visconti, Pier Paolo Pasolini, F.W. Murnau, Orson Welles, Shirley Clarke, Mikhail Kalatozov and Luis Buñuel.
The film's plot was taken from the 1949 Mexican film The Great Madcap directed by Luis Buñuel, starring Fernando Soler and Rosario Granados.
Paul Frankeur (29 June 1905 - 27 October 1974) was a French actor who appeared in films by Jacques Tati (Jour de fête) and Luis Buñuel (The Discreet Charm of the Bourgeoisie and The Phantom of Liberty).
Arguably, his most famous role was that of gangster lover of bourgeois prostitute Catherine Deneuve in Belle de jour, the 1967 classic by Luis Buñuel, in whose film La voie lactée he played the Devil.
In February 1969, it had its U.S. theatrical release on a double feature bill with Luis Buñuel's Simon of the Desert.
Luis Buñuel's Diary of a Chambermaid (1964), and Octave Mirbeau's original novel were said to be particular influences on Woman on the Night Train.
He later starred in Luis Buñuel's The Young One (La Joven, 1960), Buñuel's second English language movie (the first being Adventures of Robinson Crusoe).
Jorge Luis Borges | Luis Miguel | Luis Buñuel | C.D. Luis Ángel Firpo | Tomás Luis de Victoria | San Luis Potosí | San Luis | San Luis Obispo, California | Luis Ángel Firpo | Luis | San Luis, Argentina | José Luis Rodríguez Zapatero | Luis Muñoz Marín | Luís Figo | Luis Suárez | Luis Muñoz Marín International Airport | Luis Fortuño | Luis Brandoni | Juan Luis Guerra | San Luis Potosí, San Luis Potosí | San Luis Obispo | Luis Manzano | Luís de Camões | José Luis Chilavert | The Bridge of San Luis Rey | San Luis Obispo County | Luis Fonsi | Luis Enrique | Luis Alandy | São Luís, Maranhão |
Inspired by the film directors Robert Bresson, Luis Buñuel and Andrei Tarkovsky, he studied filmmaking in Paris and New York City before directing his first short film La conduite de la Raison (The guidance of Reason) which was presented at the Cannes Film Festival’s Directors Fortnight 2011.
For over 15 years Arrow Films has pioneered the best directors from Europe and around the world, such as Denys Arcand, Tinto Brass, Luis Buñuel, Claude Chabrol, Jules Dassin, Vittorio De Sica, Abel Ferrara, Lasse Hallström, Eric Rohmer, Roberto Rossellini, Giuseppe Tornatore, Andrzej Wajda, and Wim Wenders.
In the late 1960s and early 1970s, she had connections with filmmakers Luis Buñuel and Orson Welles as well as the visual artists Man Ray and Andy Warhol.
The cinema covered in the book ranges from the silent era to the 1970s, and includes the work of D. W. Griffith, Abel Gance, Erich von Stroheim, Charlie Chaplin, Sergei Eisenstein, Luis Buñuel, Howard Hawks, Robert Bresson, Jean-Luc Godard, Sidney Lumet and Robert Altman.
She was married to Pierre Batcheff (1901–1932), a French actor whose most famous film was Un chien andalou (1929) by Luis Buñuel and Salvador Dalí.
Alternatives to traditional editing were also the folly of early surrealist and dada filmmakers such as Luis Buñuel (director of the 1929 Un Chien Andalou) and René Clair (director of 1924's Entr'acte which starred famous dada artists Marcel Duchamp and Man Ray).
Among the many important people that were at one time or another associated with the "Institución Libre de Enseñanza" and the related "Residencia de Estudiantes" were: José Ortega y Gasset, Federico García Lorca, Salvador Dalí, Antonio Machado, Luis Buñuel and Miguel de Unamuno.
In 1930, Lys returned to Paris to star in Salvador Dalí and Luis Buñuel's surrealistic film, L'Age d'Or (1930), considered by many as her most memorable performance.
While studying on an Australia Council Scholarship at the New York Studio School, New York, Sumberg lived in the Hotel Chelsea and became acquainted with and befriended notable musicians and performers such as Blondie, Elvis Costello, Lou Reed, Johnny Rotten, Richard Hell and filmmaker Luis Buñuel.
Influenced at his beginnings by Buñuel, Cocteau, the surrealists and by the Japanese cinema (Seijun Suzuki, Ishirō Honda, Kōji Wakamatsu, Yoko Ono), stunned by the Festival of the film expérimental of Knokke in 1967 and by May 1968, Roland Lethem wants to push the people to look at the things of which they say they are freed, it's to say to place them in front of their responsibilities.
Other films include Un Chien Andalou and L'Age d'Or by Luis Buñuel and Salvador Dalí; Buñuel went on to direct many more films, with varying degrees of Surrealist influence.
Filmmakers Akira Kurosawa, Luis Buñuel, Satyajit Ray, Jean Cocteau, Carl Theodor Dreyer, Richard Lester and Norman Jewison have cited The 400 Blows as one of their favorite movies.