The Brazilian Neo-Concretist movement borrowed their artistic ideas from Max Bill who was the director of the Ulm Superior School of Form in Germany during the early 1950s.
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Some names linked to the mimeograph generation and the marginal poetry were Torquato Neto, Ana Cristina Cesar, Waly Salomão, Glauber Rocha, Paulo Leminski, Caetano Veloso, Lygia Clark and Hélio Oiticica.