The book makes use of exclusive first-hand documents summing up the information gleaned over twenty years from those of the Dada writers and artists who were still alive in the sixties and whom he knew personally, including Breton, Picabia, Tzara, Duchamp, Man Ray, Ribemont-Dessaignes, Edgar Varèse and Marcel Janco.
Marcel Duchamp | Marcel Proust | Marcel Marceau | Marcel Breuer | Marcel Pagnol | Marcel Lefebvre | Marcel Dzama | Marcel Griaule | Marcel Carné | Marcel Mauss | Marcel Mule | Marcel Journet | Marcel Janco | Marcel Gauchet | Marcel Dassault | Marcel Bozzuffi | Cedrik-Marcel Stebe | Saint-Marcel | Marcel Vanthilt | Marcel Reif | Marcel Labey | Marcel Granet | Marcel Cerdan | Marcel Bigeard | Marcel Bellefeuille | Gabriel Marcel | Saint-Marcel-lès-Valence | Rosie Marcel | Readymades of Marcel Duchamp | Mario Marcel Salas |
He studied in 1957 at the Oranim Art Institute in Qiryat Tivon, with Marcel Janco and Yaakov Wexler and from 1961 to 1963 with Johnny Friedlaender at the École des Beaux-Arts in Paris.
In Zurich in 1918, he re-connected with Hans Arp and took part in several Dada activities, befriending Marcel Janco, Richard Huelsenbeck, Sophie Taeuber, and the other dadaists connected to the Cabaret Voltaire.