His most famous work is The Troubles of Janice set in the time of the Marquis de Sade appeared in four albums; the first album appeared at in 1980.
Marquis de Sade: Justine, a 1968 film by Jesús Franco, based on de Sade's novel
Marquis de Sade, the 18th century aristocrat, writer and libertine
Many of his early works were inspired by figures of European literature such as the Marquis de Sade and the Comte de Lautréamont, as well as by the French Surrealist movement, which had exerted an immense influence on Japanese art and literature, and had led to the creation of an autonomous and influential Japanese variant of Surrealism, whose most prominent figure was the poet Shuzo Takiguchi, who perceived Ankoku Butoh as a distinctively 'Surrealist' dance-art form.
Sade | Marquis de Sade | Marquis de Lafayette | Sade (band) | Gilbert du Motier, marquis de Lafayette | Marat/Sade | Gilbert du Motier, Marquis de Lafayette | Sade Adu | Marquis de St Ruth | Jason Marquis | Marquis Who's Who | Marquis de Custine | Marquis de Condorcet | Juliette Marquis | Jacques-René de Brisay de Denonville, Marquis de Denonville | Jacques-Pierre de Taffanel de la Jonquière, Marquis de la Jonquière | François-Michel le Tellier, Marquis de Louvois | Ambrogio Spinola, 1st Marquis of the Balbases | Sunset Marquis Hotel | Richard Marquis | Marquis de Bussy-Castelnau | Frederick Marquis, 1st Earl of Woolton | Carlos Martínez de Irujo, 1st Marquis of Casa Irujo | Victor Henri Rochefort, Marquis de Rochefort-Luçay | Sebastián de la Cuadra, 1st Marquis of Villarías | Mercury Grand Marquis | Marquis of Alorna | Marquis de la Jonquière | marquis d'Argenson | Luis de Benavides Carrillo, Marquis of Caracena |
Das Theater der Wiederholungen, based on the writings of the Marquis de Sade and William S. Burroughs and choreographed by Xavier Le Roy, was premiered at the Graz in 2003.
The Marquis de Sade noted that he found his 1775 journey to the crypt was worth the effort, and Nathaniel Hawthorne noted its grotesque nature in his 1860 novel The Marble Faun.
In it he analyzes the films of Hammer and Amicus, as well as other British horror phenomena, including the works of Michael Reeves as well as what Pirie referred to as Anglo-Amalgamated's "Sadean Trilogy", beginning with Horrors of the Black Museum in 1959.
Lyrically, Enslavement of Beauty is highly influenced by the works of William Shakespeare and Marquis De Sade.
In addition to psychoanalysis, especially Jacques Lacan's psychoanalytic theory (particularly in the context of the American and French feminist responses to it), she has written on topics which include psychoanalysis and feminism; the Marquis de Sade; feminist literary criticism; pedagogy; sexual harassment; photography; and queer theory.
Robert Everett-Green of The Globe and Mail wrote that Valentine's Day was reminiscent of the works of Marquis de Sade and the 1973 French/Italian film La Grande Bouffe.
Other close friends Takahashi made about this time include Tatsuhiko Shibusawa who translated the Marquis de Sade into Japanese, the surreal poet Chimako Tada who shared Takahashi's interest in classical Greece, the poet Shigeo Washisu who was also interested in the classics and the existential ramifications of homoeroticism.
The title is a reference to the pamphlet "Français, encore un effort si vous voulez être républicains" featured in Philosophy in the Bedroom of Marquis de Sade.
He has translated Molière and Marquis de Sade, amongst others, and in 2000 he translated (or "re-wrote" in Danish) the poetry collection Cantabile by Henrik, the prince consort of Denmark.
The Dangerous Memoir of Citizen Sade (2000) by A. C. H. Smith (A biographical novel, an account of the period of the Terror in the French Revolution, told by two writers who were incarcerated together and loathed each other: Laclos and the Marquis de Sade.)
Tronchin is mentioned in passing as a great physician in the Marquis de Sade's Philosophy in the Bedroom.
Many historically important works have been described as obscene or prosecuted under obscenity laws, including the works of Charles Baudelaire, Lenny Bruce, William S. Burroughs, Allen Ginsberg, James Joyce, D. H. Lawrence, Henry Miller, Samuel Beckett, and the Marquis de Sade.
Iwan Bloch, "Le Marquis de Sade et Son Temps", Editions Slatkine, repr.1970, p.
The chorus of "We Are Normal" features the lyric "We are normal and we want our freedom", a reference to a line from the 1963 play "The Persecution and Assassination of Jean-Paul Marat as Performed by the Inmates of the Asylum of Charenton Under the Direction of the Marquis de Sade," or "Marat/Sade" a line also quoted in "The Red Telephone", a song by American band, Love, on their 1967 album "Forever Changes".
In real life the Marquis de Sade's body was exhumed from its grave in the grounds of the lunatic asylum at Charenton, where he died in 1814, and his skull was removed for phrenological analysis.
Iwan Bloch, Le Marquis de Sade et Son Temps, Editions Slatkine, repr.