The 1962 ballet A Look at Lightning, by the American choreographer Martha Graham, was titled after a poem by Belitt.
The American modern dancer and choreographer Martha Graham created a two-hour ballet, Clytemnestra (1958), about the queen.
Alexander Graham Bell | Graham Greene | Martha's Vineyard | Martha Stewart | Graham Nash | Martha Argerich | Martha Graham | Billy Graham | Lindsey Graham | Bob Graham | Martha Wainwright | Martha | Martha Washington | Graham Taylor | Graham Parker | Graham Norton | Graham Hill | Graham Hancock | Dan Graham | The Graham Norton Show | Heather Graham | Graham Chapman | George Graham | Jorie Graham | Graham Turner | Graham Kennedy | Graham Gooch | Graham Bonnet | Martha Rosler | Graham Henry |
In addition, many artists have given lectures at the Club, including Martha Graham, Kathleen Battle, Leonard Bernstein, Kenneth Branagh and Robert Altman.
Ford's series of "Impossible Interviews" for Vanity Fair magazine featured ill-assorted celebrities, among them Stalin vs. John D. Rockefeller, Chief Justice Charles Evans Hughes vs. Al Capone, Sigmund Freud vs. Jean Harlow, Sally Rand vs. Martha Graham, Gertrude Stein vs. Gracie Allen, Adolf Hitler vs. Huey Long.
Along the way, other litigated cases have ranged from the status of Winnie-the-Pooh to the collected choreography of Martha Graham to the Google Books settlement in New York City (still pending, for which he represents the interests of Amazon.com).
Marjorie Mazia Guthrie (October 6, 1917 – March 13, 1983) was a dancer of the Martha Graham Company, a dance teacher and for a time the wife of folk musician Woody Guthrie, and was the mother of folk musician Arlo Guthrie and Woody Guthrie archivist Nora Guthrie.
Michio Itō (April 13, 1892 - November 6, 1961) was a Japanese dancer, and choreographer; and was an associate of William Butler Yeats, Ezra Pound, Angna Enters, Isamu Noguchi, Louis Horst, Ted Shawn, Martha Graham, Lillian Powell, Vladimir Rosing, Pauline Koner, Lester Horton and others.
The nine smaller classrooms/studio spaces and two additional rehearsal/practice rooms are named after prominent figures in theater and music: Duke Ellington, Lorraine Hansberry, Gustav Mahler, Martha Graham, Wolfgang Amadeus Mozart, William Shakespeare, Dmitri Shostakovich, Stephen Sondheim, Konstantin Stanislavski, Arthur Miller, and "B-3 or B-cubed," which stands for Bach, Brahms, and Beethoven.
In addition to their work with the trio, Goldberg and Gould served for many years as members of the New York City Ballet Orchestra and the orchestras of the Martha Graham Dance Company and Joffrey Ballet; Gould retired from his post with the New York City Ballet Orchestra in 2005 and Goldberg remains with the orchestra as timpanist and orchestra manager.
Rubinald performed works by choreographers including Sir Frederick Ashton, George Balanchine, William Forsythe, Jacopo Godani and Martha Graham.
Sallie Wilson (1932–2008) was a noted ballerina who appeared with New York City Ballet where she danced opposite Martha Graham in the premiere of Graham and George Balanchine's collaboration at NYCB, Episodes in May, 1959, and subsequently with American Ballet Theatre, where she was associated with several ballets created by Antony Tudor.
She has also created roles with James Kudelka, Crystal Pite, Dominique Dumais, Mikko Nissenen, and Jean Grand-Maitre and has been featured in the works of William Forsythe, Paul Taylor, Nicolo Fonte, Jiri Kylian, Martha Graham, and Twyla Tharp, among others.
The first episode of the program featured interviews by Klensch with Halston, Martha Graham, Andy Warhol and Liza Minnelli.
Alongside the best local troupes, choreographers and soloists, Dubrovnik has been visited by Merce Cunningham, Jerome Robbins, Alvin Ailey, Glenn Tetley and Martha Graham and their companies, the Twentieth Century Ballet of Maurice Bejart, the American Ballet Theatre, the London Festival Ballet, the Harkness Ballet, the Antonio Gades troupe, the ballet of the Hungarian State Opera, and ballets from the cities of Parma, Antwerp and Adelaide.
In addition to Doris Humphrey, Martha Graham and Tero Saarinen cited above, choreographers Twyla Tharp (“Sweet Fields,” 1996) and Martha Clarke (“Angel Reapers,” 2011) also set movement to Shaker hymns.
Graham’s 1937 solo, Deep Song, was reconstructed for her in 1988 and in the years to follow, Capucilli continued to be instrumental in the research and reconstruction of many early Graham solos, bringing to the stage Salem Shore, (performed with, and narrated by Claire Bloom) and not seen since 1947, and "Spectre-1914", from the 1936 work Chronicle, last performed by Martha Graham in 1938.