His harpsichords have often served as models for modern reproductions by Martin Skowroneck and others.
Starting around the middle of the century, the authenticist approach was given new impetus by the work of the builders Frank Hubbard and William Dowd, working in Boston, and Martin Skowroneck (1926- ), working in Bremen, Germany.
Skowroneck has built harpsichords, clavichords, spinets and virginals after English, Italian, early (Ruckers) and late Flemish (Dulcken), 17th- and 18th-century French, and German models.
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