Their style was characterized by wit and metaphysical conceits—far-fetched or unusual similes or metaphors, such as in Andrew Marvell’s comparison of the soul with a drop of dew; in an expanded epigram format, with the use of simple verse forms, octosyllabic couplets, quatrains or stanzas in which length of line and rhyme scheme enforce the sense.
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Some of the scholarly and stylistic approaches to poetry that he criticized over the course of his essay included The New Criticism, the Metaphysical Poets, Imagism, and Objectivism, all of which he viewed as superficial, overly outward looking, and materialistic.