It was designed by two architects, Yves Bayard and Henri Vidal, and is shaped as a tetrapod arch straddling the course of the Paillon.
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As a curator, Bergdoll has participated in several major architectural exhibitions, including "Mies in Berlin", shown in New York, Barcelona, and Berlin in 2001-3; "Le Panthéon: Symbole des Révolutions" shown in Montreal and Paris in 1989, and "Les Vaudoyers: une dynastie d'architectes" at the Musée d'Orsay in Paris in 1992.
This series began with La Barque Rose (private collection) and also worthy of mention are canvases La Barque à Giverny (Musée d'Orsay, Paris) and En Barque (National Museum of Western Art, Tokyo).
2006 saw him contribute to Susan Stenger’s Soundtrack for an Exhibition within the eponymous project curated by Mathieu Coupland that brought together artists from the realms of music, fine art, and film at the Musée d'art contemporain de Lyon.
For this, he cooperated with, amongst others, the Italian design house Pininfarina, the British department store chain Selfridges, the Fondation Cartier pour l'Art Contemporain and the Italian artist Michelangelo Pistoletto.
M. Christian Durquet, Conservator of Patrimony at the Musée de l'Art Contemporain, ordered the establishment of a Zervos Museum at Vézelay.
The painting, which is located at the Musée d'Orsay in Paris, also appears in Paintings in Proust by Eric Karpeles, published by Thames & Hudson.
Another working reproduction can be seen outside the Musée d'Horlogerie du Locle, Château des Monts, in Le Locle, Switzerland.
He was a director in musées de France, and helped in the creation of the Musée d'Orsay.
Her sculptures were incorporated into the collections of the São Paulo Museum of Art and the Musée d'Art Moderne de la Ville de Paris.
the Fonds national d'art contemporain, a French public cultural foundation (in French, masculine: le Fnac)
In 1978 Cachin joined the planning team for the new Musée d'Orsay.
In 1981 she was chosen to turn the 1900 Beaux Arts Gare d'Orsay train station, a spectacular landmark originally designed by Victor Laloux, into the Musée d’Orsay, a museum of mainly French art from 1848 to 1915.
After having rejected a project in the Anglo-Norman style by the architect René Sergent, then a first project in a medieval style (drawings in the collection of the Musée d'Orsay), Halphen decided on the second design, by Guillaume Tronchet : a château in the Louis XVI style celebrating hunting on the exterior and music in the interior.
Her work is found in numerous public and private collections including the Montreal Museum of Fine Arts, Musée national des beaux-arts du Québec, Musée d'art contemporain de Montréal, the Canada Council Art Bank, and the Canadian Broadcasting Corporation.
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Her work is found in various public and private collections including the Montreal Museum of Fine Arts, Musée d'art contemporain de Montréal, the Canada Council Art Bank, Simon Fraser University, the Institute of Canadian Studies, Lavalin Corporation, Global Corporation, and Loto–Quebec.
Among the painter's most famous works are portraits of his father, Marcel Proust (private collection, Paris), the poet Pierre Louÿs, the Thaulow family (Musée d'Orsay, Paris), Aubrey Beardsley (National Portrait Gallery, London), and Yvette Guilbert and the infamous beauty Virginia Oldoini, Countess of Castiglione whom his father had treated for mental illness.
Her work has been performed and exhibited at The New York Video Festival at Lincoln Center; documenta in Kassel, Germany; The Kitchen, NYC; Musée d'art contemporain de Lyon; City of Women festival, Slovenia; The Chelsea Art Museum, NYC; HiTeca Festival in Porto, Portugal; Art Institute of Chicago; Experimenta Festival in Buenos Aires; The Hamburg Short Film Festival; and at The Impakt Festival in The Netherlands.
Biggs' video work has been recently presented at Musée d'art contemporain de Montréal, the Hirshhorn Museum and Sculpture Garden (Washington, DC), Glaskasten Marl Sculpture Museum (Marl, Germany), the Mint Museum (Charlotte NC), the Gibbes Museum of Art (Charlotte, NC), the McNay Museum (San Antonio, Texas), the Herbert F. Johnson Museum of Art (Ithaca, NY), Videonale 13 (Bonn, Germany) and tbe Perth Institute of Contemporary Arts.
The marble statue named Jeune Gaulois, kept at the Musée d'Orsay in Paris belongs to the series of Gauls which occupied much the second half of the 19th century.
Among his commissions are a large number of allegorical architectural figural sculptures, historical portraits (Victor Hugo, and Geographie for the Sorbonne, 1901) and others for the monumental Gare d'Orsay (now the Musée d'Orsay), the Collège des Beaux-Arts, the Grand Palais for the 1900 Exposition, and the Hôtel Dufayel, Avenue des Champs-Élysées (1906, demolished).
Major exhibitions of Lee's painting and sculpture were later held at the Yokohama Museum of Art in 2005 and the Musée d'art Moderne Saint-Etienne in France in December 2005.
Majorelle's work, particularly the mahogany desk from the Musée d'Orsay, is featured prominently in the 2008 French Film L'heure d'été, released in the US as Summer Hours in 2009.
Mohr's work is collected by the Centre Pompidou in Paris, the Joseph Albers Museum, the Ludwig Museum in Cologne, the Museum for Concret Art in Ingolstadt, the Kunstmuseum Stuttgart, Musee d’Art Contemporain and Musée des Beaux-Arts in Montreal, the Stedelijk Museum in Amsterdam, Musée de l'Élysée in Switzerland, and many others.
Only religious works are included in his small surviving corpus, the most famous being the Isenheim Altarpiece, completed 1515, now in the Musée d'Unterlinden, Colmar.
He exhibited at the Paris Salon in 1904, where his painting Faustine was bought by the French State and donated to the Musée du Luxembourg, and is now in the Musée d'Orsay, Paris.
From 1972, he also championed the idea of turning Paris's gare d'Orsay into a museum, and became its head conservator on its opening in 1986.
In the center of Bordeaux, close to Tour Pey-Berland and St. Andrew's Cathedral, the museum is accessible by line B of the tramway de Bordeaux from station Musée d'Aquitaine.
The Musée d'Art Contemporain du Val-de-Marne, nicknamed MAC/VAL, is a museum of contemporary art located in the Place de la Libération in Vitry-sur-Seine, Val-de-Marne, a suburb of Paris, France.
Recommended access is underground Metro station Saint-Denis Porte de Paris, on Line 13, located about 100 meters south of the museum.
The nearest Paris Métro station is Lamarck – Caulaincourt on Line 12.
Then, Soutine made frequent trips between Céret and Cagnes-sur-Mer until 1922.
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A third wave of artists fleeing the Nazis during the Second World War takes refuge in the city, such as Tristan Tzara or Jean Dubuffet and Marc Chagall.
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From Cubism to the School of Paris, from Nouveau réalisme to Supports/Surfaces, the collections of the Museum shows the intense relationship between the city of Céret and some of the major artists of the twentieth century: Pablo Picasso, Georges Braque, Juan Gris, Chaim Soutine, Marc Chagall, Raoul Dufy, Auguste Herbin, Henri Matisse, Miró, Antoni Tàpies, Claude Viallat, and Toni Grand.
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André Masson, Auguste Herbin, Max Jacob, Juan Gris, Jean Marchand will also come over to stay in Céret and soon a community of artist settles there.
The Musée d'art moderne de Troyes is one of the two main museums in the French city of Troyes - the other is the Musée des Beaux-Arts de Troyes.
The Musée d'art sacré de Dijon is a municipal museum of Catholic Burgundian sacred art inaugurated in 1980 by Canon Jean Marilier in the Église Sainte-Anne of Dijon.
Numerous Fauvist and Cubist artists discovered "primitive" art, particularly Black African art, at the Trocadéro Museum.
The museum has an excellent horological library, incorporating the research archives of the Swiss horological scholar and historian Alfred Chapuis, and the former library of the French horological author Tardy.
His work has been shown at institutions and galleries such as Fondation Cartier, A.L.I.C.E. and Cripta747.
An exhibit of his work was also on view at the National Gallery of Canada, in Ottawa from 2 March to 6 May 2007, organized by the Fondation Cartier pour l'Art Contemporain (Paris), in collaboration with the National Gallery of Canada, the Brooklyn Museum and the Scottish National Gallery of Modern Art.
The internationally available Seiko models were officially launched at the Musée d'Orsay in Paris on September 14, and went on sale the following day.
The tablets illegally excavated from Ishchali are in many locations including the Lowie Museum of Anthropology at Berkeley, the Musée d'Art et d'Histoire in Geneva, Iraq Museum, Oriental Institute, and the Free Library of Philadelphia.
The resulting sensory perception in this first period of his work is the series of Nature morte, which were exposed for the first time in France at the Musée d'Art Moderne de la Ville de Paris, in Salon d'Automne at Grand Palais, at Musée des Beaux-Arts de Rouen and elsewhere.
Solo shows include the Institute of Contemporary Arts, London (1999), Berkeley Art Museum, San Francisco (2001), Museum der bildenden Künste, Leipzig (2001), the Stedelijk Museum, Amsterdam (2001), Centre d’Art Contemporain, Geneva (2004), Irish Museum of Modern Art, Dublin (2007), Camden Arts Centre, London (2008), and Musée d' Art Moderne, Luxembourg (2008).