The work's impact was large for such a brief period: according to New York Times art critic Roberta Smith "in those two years Mr. Jenney helped put representational painting on a new course and established precedents for the art of the 1970s, 80s and 90s."
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His painting style was described by the art critic Marcia Tucker in 1978 as Bad Painting, a description which he has embraced.
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