He was, by his own admission, del ordre de freres menours ("of the order of the Friars Minor"), and probably associated with the Nottingham friary, since he refers in his own writings to the Trent and Derwent rivers.
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His allegories include the Char d'orgueil and the Passion, a soteriological allegory, which depicts Christ as a knight in love who, dressed in the coat-of-arms of his squire Adam, fights Belial in order to rescue his lover, Humanity.
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