His largest commission was the Nordic Museum on Djurgården, in North European Renaissance style, which he began in collaboration with M. Isaeus but continued alone after Isaeus's death in 1890.
Furthermore, the Bible became widely available in translation, a factor often attributed to the spread of the Protestant Reformation.
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He was a specialist in Early Netherlandish painting and the Northern Renaissance, who volunteered at the Kupferstichkabinett or prints collection of the Gemäldegalerie, Berlin in 1891 under Friedrich Lippmann.
Margaret, who was the daughter of the Habsburg Maximilian I, Holy Roman Emperor, moved to the Netherlands in 1506 as Regent for her nephew Charles and there she became one of the great patrons of the Northern Renaissance (the Arnolfini Portrait was a notable item in her collection).
It provides a unique example of an early fifteenth-century Northern Renaissance illuminator's response to Milanese art of the late Quattrocento.