Playing the former race car driver who leaves with his daughter after the breakdown of his marriage, Bruno won an award at the Manila Film Festival, and acclaim from American critic Pauline Kael.
While New Yorker film critic Pauline Kael thought the music occasionally overpowered the action, she called the score "generally dazzling" and a large contributor to both the humor and terror of the film.
In an interview for a sub-site of the film criticism website The House Next Door in 2006, Shambu named Pauline Kael's review of Brian De Palma's Dressed to Kill, James Monaco's book on the French New Wave (which he read several times before he had ever seen a French film), J. Hoberman's Vulgar Modernism and the website of cinephile Acquarello as having had a formative influence on his interest in film.
It was successful in its home land, and received positive reviews in the United States; Veteran critic Pauline Kael described it as "amazingly accomplished".
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A review of her The Fred Astaire & Ginger Rogers Book can be found in Pauline Kael's collection of movie reviews, Reeling.
Although Anne was nominated for several awards, critic Pauline Kael wrote in her book Reeling (Warner Books, p. 198), that as a director, Jarrott had no style or personality, and that he was just "a traffic manager."
The film is reviewed in Pauline Kael's ninth collection of movie reviews, Hooked, where she praises it, and particularly the performance of Marcelia Cartaxo.
During her early journalistic days, Frost interviewed a variety of people, including Julia Child, Pauline Kael, and Winona Ryder.