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Leonardo Tejada (Latacunga, 1908 - Quito, 2005) was an Ecuadorian painter whose work was known for its Social Realism and Expressionism.
Written by Khwaja Ahmad Abbas, it was a pioneering effort in social realism in Indian cinema and paved the way for many such 'parallel cinema' films by other directors, many of them written by Abbas.
Among his close friends in New York art circles were members of the Ashcan school of social realism, especially Robert Henri and John Sloan.
Roy Dalgarno is a social realist artist, born in Melbourne, Victoria (Australia) in 1910, died February 2001 in Auckland, New Zealand.
Influenced by both social realism and European styles, he specialises in historical paintings that insert Mao Zedong into iconic social and political photos of the 20th century - such as the Yalta Conference, the HUAC hearings, and a state procession of the British Queen Mother.
His presence was fundamental in the second wave of Spanish artists who arrived in Paris in the 1920s, in which he included Pablo Picasso, Ginés Parra, Pedro Flores, Antoni Clavé; although in his own country he was not really recognized until well into the 1970s when aspects of Art that did not fit in with the dominant informalism and social realism were finally valued.
His 80 plus published short stories vary from neo-social realism to surreal and postmodern styles and also deploy the introduction of famous personalities into the New Zealand landscape such as Jack Kerouac, Charles Fort, Andy Warhol and Franz Kafka.
His style varies: some works show affinity with the delicate expressiveness of John Marin and Cézanne, while others lean towards the brusquer social realism of Diego Rivera or Robert Henri.
Unusually for a modern playwright, Betts works in two very distinct styles: a darkly comic social realism reminiscent of the plays of Ayckbourn or Mike Leigh and the more tragic, poetic theatre associated with dramatists like Howard Barker.