Soviet Union | Estonia | Soviet Navy | Soviet Army | Communist Party of the Soviet Union | Russian Soviet Federative Socialist Republic | Soviet war in Afghanistan | Central Committee of the Communist Party of the Soviet Union | occupation | Soviet Union national football team | Soviet Air Forces | German occupation of Czechoslovakia | Post-Soviet states | Hero of the Soviet Union | German occupation of Norway | dissolution of the Soviet Union | Ukrainian Soviet Socialist Republic | Soviet occupation of Poland | Kazakh Soviet Socialist Republic | Japanese occupation of Hong Kong | Armenian Soviet Socialist Republic | Soviet invasion of Poland | President of Estonia | Japanese occupation of Malaya | Georgian Soviet Socialist Republic | Azerbaijan Soviet Socialist Republic | 1991 Soviet coup d'état attempt | United States occupation of Veracruz | Supreme Soviet | Sino-Soviet split |
His trilogy on Soviet history consists of films "Precursor" (Estonian: "Eelkäija", 1967) on Viktor Kingissepp, "Solstice" ("Pööripäev", 1968) on June 1940 'revolution' in Estonia, a central myth of Soviet mythology in Estonia, and "Commander" ("Väejuht", 1968) on August Kork, an Estonian Bolshevik military leader and victim of 1937 Stalinist purges.
As a consequence to the German occupation of Estonia during World War II (1941–1944) and fleeing the Soviet occupation of Estonia (1944), Ole left as a refugee to Finland in 1943, where he continued to paint portraits of personalities of Finnish cultural life, such as the ones of the linguist Lauri Kettunen and of Viljo Tarkiainen, biographer of Aleksis Kivi, and landscapes.