The tower is a prefabricated structure built by the Aermotor Corporation and provided a front line of defense in preserving the Ramapo Mountains from the hazards of forest fires.
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Seen in many classic offerings such as Trilby (1923), The Phantom of the Opera (1925), Uncle Tom's Cabin (1927), The Cat and the Canary (1927), Doctor X (1932), and Mystery of the Wax Museum (1933), Carewe completed nearly 50 films, mostly during the silent film era.
"Blue American" has a dark tone; in it, the protagonist seems to reflect over his life while referring to novels (such as Harriet Beecher Stowe's Uncle Tom's Cabin) and self-help books.
Caroline Lee Whiting Hentz (June 1, 1800, Lancaster, Massachusetts – February 11, 1856, Marianna, Florida) was an American novelist and author, most noted for her opposition to the abolitionist movement and her widely-read rebuttal to the popular anti-slavery book, Uncle Tom's Cabin.
In 1852, the novel The Cabin and Parlor; or, Slaves and Masters was published by Peterson under the pseudonym J. Thornton Randolph, an early example of the Anti-Tom literature which arose in response to Uncle Tom's Cabin.
He's also said that "many people thought that Harriet Beecher-Stowe's Uncle Tom's Cabin was and still is perceived as racist, despite being the probable artistic genesis of emotional support against slavery in the 19th century."
That headline, which made reference to the book "Uncle Tom's Cabin", was perceived as racist by some of its readership.
Kemble subsequently illustrated several other famous books, including Twain's Puddin' Head Wilson, Harriet Beecher Stowe's Uncle Tom's Cabin, Washington Irving's Knickerbocker History of New York, and many of Joel Chandler Harris' Uncle Remus stories.
Ellen is one of several examples of Anti-Tom literature, a literary subgenre that emerged in the Southern United States in response to the 1852 novel Uncle Tom's Cabin by Harriet Beecher Stowe, which had been criticised in the South as inaccurately depicting slaveholding and the attitudes of slaveowners in general.
At the end of the 19th century, with a growing interest in photography displacing documentary drawing, Bayard moved to illustrating novels, including Les Misérables by Victor Hugo, Uncle Tom's Cabin by Harriet Beecher Stowe, L'Immortel by Alphonse Daudet, "Robinson Crusoé by Daniel De Foë", and From the Earth to the Moon by Jules Verne.
Her roles included performances in Humpty Dumpty (1868), What Should She Do? (1874, for Daly), The Big Bonanza (1875), Saratoga (1875), Pique (1875, with Maurice Barrymore), The Galley Slave (1879), Mr. Barnes of New York (1888), Devil's Island (1898), and Uncle Tom's Cabin (1901 production).
George C. Howard (1818–1887) was a Nova Scotian-born American actor and showman who is credited with staging the first theatrical production of Harriet Beecher Stowe's Uncle Tom's Cabin.
This novel can be compared to Uncle Tom's Cabin in that both novels are literary protests against the practice of slavery.
Orwell claims that "perhaps the supreme example of the 'good bad' book is Uncle Tom's Cabin. It is an unintentionally ludicrous book, full of preposterous melodramatic incidents; it is also deeply moving and essentially true; it is hard to say which quality outweighs the other."
However, in Arkansas he was deeply moved by the lives of slaves in the southern plantations, and the teachings of H.W. Beecher, a preacher whose sister was Harriet Beecher Stowe, writer of Uncle Tom's Cabin.
In 1929, its name was changed to Stowe Teachers College, after author Harriet Beecher Stowe, whose Uncle Tom's Cabin had promoted the abolitionist cause in the antebellum United States.
Another example is Harriet Beecher Stowe’s Uncle Tom's Cabin which was the best-selling novel of the 19th century.
It was during one of those travels that he met Harriet Beecher Stowe, who was so impressed by Clarke and his story that she would base the character George Harris in her novel Uncle Tom's Cabin on Clarke.
Little Eva is unique in being one of few known examples of children's literature that also contains elements of plantation literature, a pro-slavery literary genre that emerged in the Southern United States in reaction to the publication of Uncle Tom's Cabin in 1852.
Having made a name in California, in 1863 Lotta left to tour the east coast where she began acting in plays such as The Old Curiosity Shop, Uncle Tom's Cabin and Little Nell and the Marchioness.
She made her professional debut at age nine as Eva in the classic Uncle Tom's Cabin, using the stage name of Louise Carbasse.
Abraham Lincoln chose Maine's Hannibal Hamlin as his first Vice President, and said on meeting Brunswick novelist Harriet Beecher Stowe (the author of Uncle Tom's Cabin), "so this is the little lady who made this big war".
Anna claimed that her conversations with Prince Chulalongkorn about human freedom, and her relating to him the story of Uncle Tom's Cabin, became the inspiration for his abolition of slavery almost 40 years later.
"Climb de Golden Fence : (oh my! wicked piccaninny)", lyrics by Hattie Starr, M. Witmark & Sons, 1895, interpolated into a production of C.W. Taylor's 1852 stage adaptation of Uncle Tom's Cabin.
One of the Rileys' slaves, Josiah Henson, is thought by historians to be the inspiration for Harriet Beecher Stowe's Uncle Tom's Cabin.
From the later 1950s he also drew for girls' comics, including an adaptation of Harriet Beecher Stowe's Uncle Tom's Cabin for Bunty in 1958, and "Sandra of the Secret Ballet" for Judy from 1960.
The new management lowered the price of admission and catered to the popular tastes of New York's "west side": "Uncle Tom's Cabin" (in blackface) and Buffalo Bill were among the first season's attractions; theatrical productions were accompanied by "specialty acts".
Henson worked on the plantation and his autobiography, The Life of Josiah Henson, Formerly a Slave, was the model for Harriet Beecher Stowe's novel Uncle Tom's Cabin.
Stowe's experiences in Cincinnati and her time in the club were major factors in her work Uncle Tom's Cabin.
Uncle Tom's Cabin by Harriet Beecher Stowe was translated twice in 1853, only one year after it was first published in America.
St. Clair Avenue takes its name from Augustine St. Clare, a character from the novel Uncle Tom's Cabin.
Schoolcraft's work used quotes which had also appeared in Aunt Phillis's Cabin (1852) by Mary Henderson Eastman, a native Virginian.
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The Black Gauntlet is an example of the pro-slavery plantation literature genre that was written in response to the anti-slavery novel Uncle Tom's Cabin (1852) by Harriet Beecher Stowe.
The Ebony Idol is one of several pro-slavery novels written in the Southern United States in response to the 1852 abolitionist novel Uncle Tom's Cabin by Harriet Beecher Stowe.
The Life of Josiah Henson, Formerly a Slave, Now an Inhabitant of Canada, as Narrated by Himself is a slave narrative written by Josiah Henson, who would later become famous for being the basis of the character of Tom from Harriet Beecher Stowe's Uncle Tom's Cabin.
The North and the South; or, Slavery and Its Contrasts is an 1852 plantation fiction novel by Caroline Rush, and among the first examples of the genre, alongside others such as Aunt Phillis's Cabin by Mary Henderson Eastman and Life at the South; or, "Uncle Tom's Cabin" As It Is by W.L.G. Smith, both of which were also released in 1852.
(One such example was a wildly melodramatic reading by Ms. Eldridge of Tom's death scene from the book Uncle Tom's Cabin, which, back then, had still not quite acquired the rather infamous reputation it has now.) Native Americans were invariably referred to as Indians on the recordings, and African-Americans were called Negroes, as was customary then.
They were written in response to the publication of the bestselling abolitionist novel Uncle Tom's Cabin, released in book form in 1852, and were read both in the North and the South.
During his time as Labor Service Leader, Simon acquired a reputation for brutality among the inmates of Mittelbau-Dora, who gave him the nickname "Simon Legree" after the character of the cruel slave-master in the book "Uncle Tom’s Cabin".
He painted a series of 160 works on the Passion of Christ, and a series of 20 depicting the Nativity as if Christ had been born in various Canadian settings: an igloo, a trapper's cabin, a boxcar, a motel.