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In 1967, when she was living and studying in São Paulo, Mara visited the Teatro Oficina, and, as she used to say jokingly, never left it.
Later, she began working with the Teatro Oficina, where she appeared in the historical setting of O Rei da Vela (by Oswald de Andrade), under the direction of José Celso Martinez Corrêa, which was later made into a film.
He studied biology at the University of Lisbon and formed a jazz quartet at the Hot Club of Portugal, entered the universe of improvisation and composition techniques, simultaneously collaborating in the creation of two experimental theatre shows with Lisbon's Comuna Teatro de Pesquisa and Teatro Oficina from Brazil, in Brecht's play Galileo.