Atlases depicted in this painting contain maps primarily of Vorarlberg and Tirol at the western end of Austria, so perhaps the painting was in that area, according to Wheelock.
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By the early 19th century the painting apparently had found its way to Austria, where it was depicted in the background of Portrait of a Cartographer and His Wife by Ferdinand Georg Waldmüller in 1824 (now in Westfälisches Landesmuseum, Münster).
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Stylistically, Xavery was influenced at the start of his career by Daniel Marot; later, his style became more elaborate, in works such as the Allegory of Faith of 1735-9, in the Grote Kerk of Haarlem.