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Ali Banisadr's work is in the public collections of The British Museum in London, The Metropolitan Museum of Art in New York City, Los Angeles's Museum of Contemporary Art, The Olbricht Collection in Germany, Francois Pinault Foundation in Italy, London's The Saatchi Gallery, Vienna's Sammlung Essl, and The Wurth Collection in Germany.
The service indexes the journals received by The Anthropology Library at The British Museum (formerly at the Museum of Mankind), which receives periodicals in all branches of anthropology from academic institutions and publishers around the world.
Babak and Friends - A First Norooz first screened in the Soho Apple Store Theatre and subsequently in other Apple stores and various museums such as Asia Society and The British Museum.
There are four temporary exhibition spaces, and the temporary exhibition programme includes exhibition from national and international galleries such as The British Museum, V&A, Southbank Centre and Natural History Museum.
His work is in numerous international collections, including the Museum of Modern Art, New York, The Smithsonian Institution, Washington D.C., and The British Museum, London.
Later that year, the Publishers' Association (PA) convened a Committee chaired by Lord Wolfenden, formerly Vice Chancellor of Reading University and Director of the British Museum, to look at the implementation of the Whitford proposals on licensing.
His mother moved to England and when he visited it in 1855, he met John Edward Gray and Prof. Owen at the British Museum.
A snail, Amoria jamrachi, was named after Jamrach by John Edward Gray, keeper of zoology at the British Museum, to whom Jamrach had forwarded the shell after he obtained it.
In 1889, he was presented by his friends and pupils, under the presidency of the Earl of Carnarvon, with a testimonial in the form of a marble portrait bust of himself by Boehm, now deposited in the Mausoleum room at the British Museum ; the balance of the fund was by his own wish devoted to founding a studentship in connection with the British school at Athens.
This sculpture featured in A History of the World in 100 Objects, a series of radio programmes that started in 2010 as a collaboration between the BBC and the British Museum.
From 1970 to 2004 the Department of Ethnography of the British Museum was housed at 6 Burlington Gardens, displaying collections from the Americas, Africa, the Pacific and Australia, as well as tribal Asia and Europe.
One outcome of this professional friction resulted in Day's selling an extensive collection of fishes to the Australian Museum in 1883, ignoring the British Museum, the expected recipient.
The British Museum copies of The Fisher-mans Tale and Flora's Fortune, which are in fine condition, were acquired from Sir Charles Isham's collection in 1894 (Times, 31 Aug. 1895; Bibliographica, iii. 418–29).
He was largely responsible for the contents of the British Museum Act of 1963, which gave the Natural History Museum complete independence from the British Museum for the first time, authorised the museum to dispose of duplicate items, and allowed it to store and even display items away from the main building at Bloomsbury.
It was eventually bought for £294,009 (including an £108,000 Art Fund grant and other money from the Heritage Lottery Fund, the British Museum Friends and the Caryatids of the Greek and Roman Department) - this would have been higher had it gone onto the open market and through the usual sales processes, or if the Museum had not been able to respond as rapidly as it could due to the Nicopolis discovery.
The early models for the Imagist group were from Japan, and H.D. often visited the exclusive Print Room at the British Museum in the company of Richard Aldington and the curator and poet Laurence Binyon in order to examine Nishiki-e prints that incorporated traditional Japanese verse.
The bird is named after the Australian-born philanthropist Major Harold Wesley Hall, who funded a series of expeditions to collect specimens for the British Museum.
In 1955 he was appointed the Keeper of Egyptian Antiquities at the British Museum and organized the Tutankhamun exhibition in 1972.
Blue and white fritware pottery became known as 'Abraham of Kütahya ware' as the decoration was similar to that on a small ewer that once formed part of the collection of Frederick Du Cane Godman and is now in the British Museum.
Born Jessie Jacquetta Hopkins, the daughter of Nobel Prize-winning scientist, Sir Frederick Gowland Hopkins, she married first Christopher Hawkes, then an Assistant Keeper at the British Museum, in 1933.
Curl worked briefly at the British Museum, London, in the Ancient Egyptology department alongside renown Egyptologist Vivien Davies where he learnt to read Egyptian hieroglyphs and awakened his love for ancient and enigmatic cultures.
He has held exhibitions at The British Museum, the Tokyo Metropolitan Art Museum, Osaka City Museum of Art, the Paper Museum in Tokyo, Ginza Matsuzakaya Department Store, Ikebukuro Tobu Department Store, Gallery Art Salon in Chiba, Gallery Shinseido in Minamiaoyama, and Onward Gallery in Nihonbashi.
There are two immediate parallels to this jug, the pair of jugs in the British Museum from a probable burial at Basse-Yutz in the French Moselle Valle .
Other authors included Andrew Lang, Egyptologist W. M. Flinders Petrie, Lady Florence Dixie (feminist sister of the infamous Marquess of Queensberry), Max O'Rell, Louis Fagan of the British Museum, J. A. Fuller Maitland, Grant Allen, and Count Eric Stenbock.
Josiah Forshall, palaeographer, dated the manuscript to the 9th century (Catalogue of Manuscripts in the British Museum, 1834–1840).
The Lothair Crystal was Object 53 in the 2010 BBC Radio 4 programme A History of the World in 100 Objects, chosen and presented by the Director of the British Museum, Neil MacGregor.
A statue of the Nile-god - now in the British Museum (BM 8) - was dedicated by the High Priest of Amun Shoshenk, and he lists his parents as Osorkon I and Maatkare.
His plans of St. Peter's, Castle Cornet, and the Bouche de Vale, with water-colour sketches, are in the British Museum.
One of Adamovich's 1921 designs, Kapital was selected by British Museum director Neil MacGregor as object 96 in the A History of the World in 100 Objects, a series of radio programmes that started in 2010 as a collaboration between the BBC and the British Museum.
Montagu House, Bloomsbury, the first home of the British Museum, also known as Montague House
In 1403 Nicholas Ó hÍceadha (with Boulger O'Callahan) wrote a commentary on the Aphorism of Hippocrates, a fragment of which is still preserved in the British Museum, London.
This was the first time a regional museum has shown its collection at the British Museum and Margaret Hodge the Minister of State, Department for Culture, Media and Sport encouraged everybody to view the exhibit.
Sir John Boardman regards the gold scabbard, decorated with tiny figures showing a lion hunt, as pre-Achaemenid Median work of about 600 BC, drawing on Assyrian styles, though other scholars disagree, and the British Museum continues to date it to the 5th or 4th centuries.
In March 1767 Charles Morton (1716–1799), a librarian at the British Museum, was put in charge of the scheme; a fact which caused resentment towards him from Abraham Farley, a deputy chamberlain of the Exchequer who for many years had controlled access to Domesday Book in its repository at the Chapter House, Westminster, and furthermore had been involved in the recent Parliament Rolls printing operation.
Richard David Barnett (1909–1986), Keeper, Department of Western Asiatic Antiquities of the British Museum
The brightly painted sarcophagus of the Etruscan aristocratic woman Seianti was discovered in 1886 at Poggio Cantarello near Chiusi in Tuscany and was subsequently sold, along with its contents (a skeleton and some grave belongings), to the British Museum.
The animal was first described by Dr J. E. Gray in 1865 from a specimen in the British Museum collected from Santa Cruz de la Sierra in eastern Bolivia as Dasypus vellerosus.
The torc was then acquired for the British Museum through the Duchy of Lancaster and with the assistance of the Christy Trust, and the finder, landowner A. E. Middleton was awarded the full market value of £3,300.
Publication date unknown: Glanville S.R.K. and Faulkner, R. O., Catalogue of Egyptian Antiquities in The British Museum II: Wooden Model Boats.
William Dickson Lang (1878–1966), keeper of the department of geology at the British Museum, 1928–1938