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Her theater credits include playing the Assassin/Kit Kat Girl in DOMA Theater Company's production of Cabaret at The Met Theater Mainstage in Los Angeles.
At the Met she has also performed the roles of the Countess in Wolfgang Amadeus Mozart's The Marriage of Figaro (2009) and the title role in Anna Bolena (2011).
At the Met he sang in the world premieres of several operas, including Giacomo Puccini's, La fanciulla del West (1910), Umberto Giordano's Madame Sans-Gêne (1915), Charles Wakefield Cadman's Shanewis (1918), Puccini's Il tabarro (1918), Puccini's Gianni Schicchi (1918), Albert Wolff's, L'oiseau bleu (1919), and Deems Taylor's Peter Ibbetson (1931).
He remained with the Met until 1914, appearing in numerous world premieres, including those of the Monk in Walter Damrosch's Cyrano, Happy in La fanciulla del West, the Innkeeper in Engelbert Humperdinck's Königskinder, and Mauprat in Victor Herbert's Madeline.
He was to remain principal bass at the Met until 1974, adding roles such as Boris Godunov (in English) and Gurnemanz in Parsifal (in German), and singing all the major roles of the bass repertoire.
In September 1953 he made his American debut at the San Francisco Opera in the title role of Werther, opposite Giulietta Simionato as Charlotte, and later that same year, in December, he debuted at the Metropolitan Opera in New York, singing Don Ottavio in Don Giovanni, other roles at the Met included; Tamino, Almaviva, Nemorino, Ernesto, Alfredo, des Grieux.
He returned for the same opera in 1981 (now with Lucia Popp and Gail Robinson alternating as Pamina, and Zdzisława Donat as the Queen of Night), and the same season sang Monsieur Presto in the Met premiere of Les mamelles de Tirésias (directed by John Dexter).
He was especially acclaimed in such taxing Wagnerian parts as Hans Sachs in Die Meistersinger von Nürnberg, but he also appeared in the Met premiere of the French operas Louise (in 1921) and Pelléas et Mélisande (in 1925), and in the North American premiere of Erich Wolfgang Korngold's one-act opera Violanta (on 5 November 1927).
His Metropolitan Opera debut took place two years later when he created the role of Emperor Phorcas in the Met's premiere of Massenet's Esclarmonde.
In September 2007, Mackey joined Cumbria Constabulary as its Chief Constable, a post he remained in until his appointment as the Met's Deputy Commissioner in 2012.
His final and 316th performance at the Met was as the Hairdresser in Richard Strauss's Der Rosenkavalier on January 12, 1980 with Agnes Baltsa as Octavian, Anna Tomowa-Sintow as the Marschallin, and Judith Blegen as Sophie.
The installations of the Met, La Scala and the Arcimboldi, the Vienna State Opera, Liceu, and the Royal Opera House were possible with the donations of the philanthropist Alberto Vilar, at the time a majority shareholder of Figaro Systems.
She returned to the Met in December 2006 to star opposite Plácido Domingo and Paul Groves in the world premiere of Tan Dun’s The First Emperor (which was televised and later published on DVD), later appearing in I puritani.
He later returned to the Met in spring 1960 in several roles, including Don Carlo di Vargas in La forza del destino (which he had recorded under Molinari-Pradelli in 1956 for Decca Records, followed a few years later by a portrayal of the villain Barnabas in La Gioconda under Gavazzeni on the same label).
Thomas Hoving, director of the Met and the primary negotiator in the purchase, later said in his memoirs, Making the Mummies Dance, "An intact red-figured Greek vase of the early sixth century B.C. could only have been found in Etruscan territory in Italy, by illegal excavators".
Eight teens from Silver Spring, Maryland traveled to Suchitoto, El Salvador where the met up with two local youth groups for a youth media exchange.
He remained at the Met for the next 8 year, notably creating the role of Blenner Hassett in the world premiere of Walter Damrosch's The Man Without a Country on May 12, 1937 and portraying Gherardi in the United States premiere of Richard Hageman's Caponsacchi on February 4, 1937.
The Met lion was also purchased in 1948 from a New York antiquities dealer with funds from the Joseph Pulitzer Bequest.
The India Meteorological Department (IMD), also referred to as the Met Department, is an agency of the Ministry of Earth Sciences of the Government of India.
He was also the chairman of the Committee on Political and Social Problems regarding the atomic bomb; the committee consisted of himself and other scientists at the Met Lab, including Donald J. Hughes, J. J. Nickson, Eugene Rabinowitch, Glenn T. Seaborg, J. C. Stearns and Leó Szilárd.
She recently returned to the Met in October 2010 to portray Xenia in Modest Mussorgsky's Boris Godunov with René Pape in the title role.
He is currently a senior scientist in the Climate Division of NERC's National Centre for Atmospheric Science (NCAS-Climate), located in the Department of Meteorology at the University of Reading; and a Research Fellow in climate change at the Met Office Hadley Centre.
Some of the celebrated opera singers featured on Live from the Met have included Plácido Domingo, Luciano Pavarotti, Beverly Sills, Samuel Ramey, Renée Fleming, Joan Sutherland, Marilyn Horne, Renata Scotto, Leontyne Price, and Sherrill Milnes.
She also created roles in several world premieres at the Met, including Johanna in Reginald De Koven's The Canterbury Pilgrims (1917), Amy Everton in Charles Wakefield Cadman's Shanewis (1918), the Monitress in Suor Angelica (1918), and Ciesca in Gianni Schicchi (1918).
She performed in several world premieres at the Met, including Reginald De Koven's The Canterbury Pilgrims (1917), Charles Wakefield Cadman's Shanewis (1918), Giacomo Puccini's Il Trittico (1918), Albert Wolff's L'oiseau bleu (1919), and Henry Kimball Hadley's Cleopatra's Night (1920).
Interventions and tests that the MET call may include: Oxygen (via a mask), Blood glucose levels, CPAP (Continuous positive airway pressure), X-ray, ECG, Vital signs, documentation and Spirometry.
The homes of the Metropolitan Opera or "the Met", the famed opera company in New York City
Their design is frequently attributed to the Met's Engineer John Fowler, but the locomotive was a development of one Beyers had built for the Spanish Tudela to Bilbao Railway, Fowler only specifying the driving wheel diameter, axle weight and the ability to navigate sharp curves.
She did not make any commercial recordings of her voice but fragments of her singing can be discerned on Mapleson Cylinders recorded live at the Met at the start of the 20th century.
Mme Rom may be seen on the DVD of the Met's 1984 production of Francesca da Rimini (as Biancofiore), with Renata Scotto, Plácido Domingo, and Cornell MacNeil.
His first major critical successes at the Met came during the 1960–1961 season when he directed the new staging of L'elisir d'amore and staged a brand new production of Puccini's Turandot that was designed by Cecil Beaton.
On March 18, 1977 he sang the role of the Physician in the Met's first staging of Alban Berg's Lulu with Carole Farley in the title role.
Richard A. Betts, climate scientist at the Met Office Hadley Centre
He was at the Met again in 1995 singing Jacob Schmidt in John Dexter's production of Rise and Fall of the City of Mahagonny.
Special Demonstration Squad, an undercover unit of Greater London 's Metropolitan Police Service (MPS or the Met), set up in 1968
He sang several more larger roles at the Met over the next eight years, including Alfred in Die Fledermaus, Fenton in Falstaff, Idreno in Semiramide, the Italian Tenor in Der Rosenkavalier, and Tonio in La fille du régiment.
The Met production was revived in 2010, with Domingo conducting, and José Cura in the title role.
Her roles at the Met included Juliette, Marguerite, Marguerite de Valois from Les Huguenots, Micaela from Carmen, Cherubino from Le nozze di Figaro, Donna Elvira from Don Giovanni, Philine from Mignon, Berthe from Le prophète, the Forest Bird from Siegfried, Nedda from Pagliacci, Gilda from Rigoletto, Infanta from Le Cid, Inès from L'Africaine, and Mimì from La bohème among others.
The primary focus of The Terrorist Hunters is on the aftermath of the 7 July 2005 London bombings and the investigation it sparked as well as the role of the UK's security services, particularly the Met and MI5 in combating terrorism in the years after the attacks, though it also covers the investigation into the murder of Alexander Litvinenko.
It is a collaboration of the Met Office with the University of Cambridge, University of Leeds, University of Oxford, University of Reading, University of East Anglia, and Lancaster University in the UK and the National Institute of Water and Atmospheric Research of New Zealand.