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In late 1983 The Toys received a Cease and Desist letter from Motown Records' legal department threatening a lawsuit over the use of the name "The Toys", who were a signed act of Motown and who recorded "A Lover's Concerto".
The toys were released in conjunction with the video game Gotcha! The Sport!, also by LJN.
When Santa's helper La Befana falls ill and must take off a Christmas Eve, she recruits Scarafoni to help deliver all the toys.
The climax of Toy Story 3 features an infamous scene, where the working of a moving-grate incinerator (and of a garbage shredder) was shown dramatically from the inside, as the toys face destruction.
Matthew Kapell and Lawrence’s co-edited book, Finding the Force of the Star Wars Franchise: Fans, Merchandise, and Critics (2006), examines the myths, the stereotypes, sexualities, the toys, and the critical response to the two Star Wars trilogies.
Often the toys live in terror that new toys will replace them (also a major theme in Toy Story), encouraging small children to look after old toys.
The toys are designed by both inside designers and external freelancers (for example the French artist André Roche based in Munich) and manufactured by many companies worldwide, such as Produzioni Editoriali Aprile, a small company based in Turin, Italy, run and founded by two brothers, Ruggero and Valerio Aprile.
The toys are developed in collaboration with Jerome and Dorothy Singer, psychologists at Yale University.
Her best-known book, When Toys Come Alive, studies narratives featuring living toys such as Calvin and Hobbes and Winnie the Pooh, arguing that the toys function as transitional objects that mediate between childhood and adult desires.
They initially found work for Playmates Interactive Entertainment a then division of Playmates Toys, who were about to release a line of toys called Skeleton Warriors and wanted a video game to go along with the toys and the cartoon series.
Denis McLoughlin, creative director for the series, based most of the spacemen, rockets, flying saucers, space creatures, robots, etc. on the toys then carried by Woolworth's.
Mostly built by hobby woodcrafters, and ranging from relatively crude to finely ornamented and the toys of future kings, it was not until the late 19th century that the production became industrialised.
The toys dress up as Bible characters and re-enact the Bible stories as one of them narrates the story from The Book.
Each night, as the Storyteller Café closes its doors, the toys which decorate its shelves come to life, and their present-day adventures become triggers for stories from The Book.
Most of the toys come from a mix of museum and private collections, including that of the Museum of the City of New York, and apparently date from before the 1920s.
Prior to the song, Woody is trying to make amends with Jessie, who is greatly embittered with his refusal to be sold to a Tokyo toy museum with the rest of the toys; the museum won't take the gang without him, and if not sold, Jessie and the others will be placed in storage, a dreaded place due to her fear of the dark.