One of the playwright’s functions is that concerned with adaptations of existing traditional drama, such as Charles Marowitz’s collages of Hamlet and Macbeth and other re-interpretations of Shakespeare's works, as well as Tom Stoppard’s approaches in Rosencrantz & Guildenstern Are Dead, Dogg's Hamlet, and Cahoot's Macbeth.
Broadway theatre | West End theatre | musical theatre | Royal National Theatre | theatre | Royal Court Theatre | American Ballet Theatre | Musical theatre | National Theatre | Theatre Royal, Drury Lane | Bolshoi Theatre | Abbey Theatre | Haymarket Theatre | Theatre Royal | Play (theatre) | Globe Theatre | Theatre | Mariinsky Theatre | Manhattan Theatre Club | Lyric Theatre | Théâtre du Châtelet | Her Majesty's Theatre | Grand Théâtre de Genève | Théâtre des Champs-Élysées | Theatre 625 | Goodman Theatre | Sydney Theatre Company | Lyceum Theatre, London | Gaiety Theatre, London | Almeida Theatre |
From 1980 to 1982, she studied at the National School of Arts and Theatre Technique (ENSATT) in Lyon, then from 1982 until 1985, at the French National Academy of Dramatic Arts, she studied under Michel Bouquet, Claude Régy and Bernard Dort.