In addition, the game (like other works inspired by Hogarth's The Rake's Progress (as well as his A Harlot's Progress)) follows the regression of the main character and the loss of the qualities which made him human in the first place.
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Although television was still in its infancy, several notable series debuted during the series, particularly Mary Kay and Johnny (first sitcom to be broadcast on network television in the US, and likely the world's second television sitcom after British series Pinwright's Progress) and Kraft Television Theatre (which paved the way for the many live anthology series of the early 1950s).
Margaret then sells a first edition of The Pilgrim's Progress that she inherited from Aunt Becky and uses the money to buy a house for herself and to adopt Brian, an illegitimate and lonely orphan who is largely neglected by the family.
Although primarily associated with Italian-language comic roles, Corbelli’s résumé shows his wide-ranging interests and versatility, including French and German roles (Sulpice in Donizetti's La fille du regiment, Papageno in Mozart’s Die Zauberflöte), Baroque opera (Seneca in Monteverdi’s L'incoronazione di Poppea) and a twentieth-century English-language opera (Nick Shadow in Stravinsky’s The Rake's Progress).
The station was mentioned in the 1956 film Private's Progress as a good place to get off a train and avoid paying a fare.
His daughter, Martha (Marthe) married another Huguenot apothecary in London, John (Jean) Misaubin, in 1709, who also had premises on St. Martin's Lane and was famously depicted by William Hogarth in a painting in the series, A Harlot's Progress.
He later wrote about his experiences at the hospital in his semi-autobiographical novel, 'Sherston's Progress'.
Among the many for which he furnished the drawings were Grimm's Fairy Tales (1853); Keats's Eve of St. Agnes (1856); Coleridge's Ancient Mariner (1857); The Pilgrim's Progress (1858); Hans Christian Andersen's Fairy Tales (1861); Robinson Crusoe (1862); and Edgar Allan Poe's Poetical Works (1865).
His art often had a strong moralizing element to it, such as in his masterpiece of 1735, A Rake's Progress.
On 21 November 1956 the series competed in its time-slot against ABV-2's broadcast of Miss Pilgrim's Progress, a 1950 British film.
One of his best-known works is a stained-glass window depicting John Bunyan's The Pilgrim's Progress, entitled "Emmanuel's Land", at the Emmanuel Episcopal Church, Boston.
One interesting feature is Bunyan's Dell, a natural amphitheatre deep inside Wain Wood where the author of The Pilgrim's Progress preached in secret when his faith was persecuted after the Restoration.
His illustrations for non-religious books included Hammond's Hard Lines (1894), Miss Bobbie (1897), Millionaire (1898), A Queen Among Girls (1900), The Pilgrim's Progress (1903), Westward Ho! (1903), Grace Abounding (1905), Three School Chums (1907), Little Women (1912), Good Wives (1913), A Christmas Carol (1920) and Character Sketches from Boz (1924).
Some of his best known engravings will be displayed, including the series The Harlot's Progress, A Rake's Progress and Marriage à-la-mode.
Abbey's first novel, Jonathan Troy (1954), is set entirely in a thinly disguised Indiana, and his novel The Fool's Progress (1988), which he called his "fat masterpiece", is an autobiographical account of his growing up in this area and his imagined attempt to return home after a lifetime spent mostly in the desert Southwest.
When he was young, his father, Richard, read to him from the Bible while his mother, Ella, read to him from stories such as Ivanhoe and Pilgrim's Progress.
Marvel's 2005 production of Igor Stravinsky's The Rake's Progress was deemed "breathtakingly beautiful" with "stage tableaux that were both kinetic and visually striking" by the San Francisco Chronicle.
He headed mission stations, teaching, preaching, brick-making, and translating books such as John Bunyan's Pilgrim's Progress into Duala.
The vale adjoining Millbrook is reputed to be the location that inspired the 'Slough of Despond' in John Bunyan's 'The Pilgrim's Progress'.
After appearing in such films as Percy's Progress, The Stud and The London Connection, she vanished from public view from the late 1970s and was found dead in her London council flat, a few weeks after suffering an apparent heart attack in 1995.
The dwarf in question was Luis De Jesus, the star of the infamous Blood Sucking Freaks.
Their 1959 comedy I'm All Right Jack featured many of the same actors and characters.
The band's first work has been a musical setting of the classic "The Pilgrim's Progress" by John Bunyan, with each song referring to a scene in the Pilgrim’s journey.
Because of his French ancestry and dark looks, he was often chosen to play a Frenchman on television, as for instance in a second series episode of ITV comedy drama Turtle's Progress.
For example, features of the "ghostly and supernatural" could apply equally to Mozart's Don Giovanni from 1787 and Stravinsky's The Rake's Progress from 1951 (Kravitt 1992, 93–95).
A precocious child, at six he is said to have been able to repeat large parts of the Bible and of Pilgrim's Progress from memory.
Some claim that the author of The Pilgrim's Progress, John Bunyan, once lived in the village and drew his inspiration from the fair, and from the ancient route known as the Pilgrims' Way, which passes nearby, on its way to Canterbury.
William Hogarth's A Rake's Progress (1732–33) displays in a series of paintings the spiralling fortunes of a wealthy but spendthrift son and heir who loses his money, and who as a consequence is imprisoned in the Fleet Prison and ultimately Bedlam.
John Bunyan used the event as the inspiration for the Vanity Fair in Pilgrim's Progress, which in turn was used by William Makepeace Thackeray for his most celebrated novel.
The original Slough of Despond is a deep bog in John Bunyan's allegory The Pilgrim's Progress into which the character Christian sinks under the weight of his sins and his sense of guilt for them.
After killing his noisy refrigerator with a .357 Magnum, Lightcap puts on Mahler’s Resurrection Symphony at ear-splitting volume, drinks off a half-quart of Wild Turkey, and miserably dreams of past loves and his lost Appalachian home.
It is Lewis's personal revision of John Bunyan's 17th century novel, The Pilgrim's Progress, recast with the politics, philosophy and aesthetic principles of the early 20th century.
The libretto, written by W. H. Auden and Chester Kallman, is based loosely on the eight paintings and engravings A Rake's Progress (1733–1735) of William Hogarth, which Stravinsky had seen on 2 May 1947, in a Chicago exhibition.
Bedlam (1946) suggested by the eighth (and last) engraving in the series "A Rake's Progress" by William Hogarth
The title is perhaps inspired by Psalm 23 in the Bible, but is probably more likely to be a reference to 'The Valley of the Shadow of Death' in Bunyan's 'Pilgrim's Progress', which was itself inspired by the Psalm.
The album cover detail from "The Tavern Scene" from A Rake's Progress by William Hogarth.
Early in the nineteenth century he went to Bungay, Suffolk, to engrave portraits and illustrations for the Bible, Pilgrim's Progress, and similar works published by the Bungay printer Charles Brightly.