In 1914, he also translated Umberto Boccioni's Manifesto of Futurist Sculpture from the Italian into Japan, thus introducing the Futurism movement to the Japanese modern art world.
Throughout the 20th century, Aleramo was mostly remembered for her tumultuous love affairs, with partners that included Umberto Boccioni and Dino Campana (The 2002 film Un Viaggio Chiamato Amore, by Michele Placido, depicts Aleramo's affair with the latter).
The Melkur statue's design was based on a 1913 statue by Umberto Boccioni.
His goal for the work was to depict a "synthetic continuity" of motion, instead of an "analytical discontinuity" that he saw in such artists as František Kupka and Marcel Duchamp.
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That year, Marinetti discovered some allies in three young painters, (Umberto Boccioni, Carlo Carrà, Luigi Russolo), who adopted the Futurist philosophy.
Its 75 rooms house the largest collection of works by 19th- and 20th-century Italian artists including Giacomo Balla, Umberto Boccioni, Giorgio de Chirico, Giovanni Fattori, Amedeo Modigliani, Giorgio Morandi, Giacomo Manzù, Alberto Burri, Antonio Canova, Felice Casorati and Lucio Fontana.
His family moved to Milan in 1909, and here he worked on the Letteratura magazine, frequenting avant-garde circles and making the acquaintance of Boccioni and Carrà.