He worked for Le Rire as a caricaturist (often under the pseudonym's Aroun-al-Raxid or Aron-al-Rascid) and was a contributor to many of the deluxe French fashion publications including Journal des Dames et Des Modes, La Vie Parisienne, Gazette du Bon Ton and Les Feuillets d'Art.
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In the 1920s he diversified into set and costume designs for the Folies Bergère, the Casino de Paris, the Théâtre du Châtelet and theaters in New York, Germany, and in his native country.
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