Moscoso's comix and poster work has continued up to the present and includes album covers for musicians such as Jerry Garcia, Bob Weir, Herbie Hancock, Jed Davis and David Grisman.
Victor Hugo | Victor | Victor Talking Machine Company | Victor Emmanuel III of Italy | Victor Wooten | Victor Vasarely | Victor Gollancz Ltd | Victor Borge | Victor McLaglen | Victor Herbert | Victor Entertainment | Victor Emmanuel II of Italy | Victor André Cornil | Jean Victor Marie Moreau | Victor Young | Victor Pasmore | Victor Gruen | Victor Garber | Victor Frankenstein | Victor Trumper | Victor Sangiorgio | Victor Milan | Victor Margueritte | Víctor Manuel | Victor Hervey, 6th Marquess of Bristol | Victor Harbor, South Australia | Victor Harbor | Victor Fung | Victor Emmanuel | The Hon Mrs Victor Bruce |
He later participated to such editorial experiences as Cannibale, Il Male and Frigidaire, where he created hundreds of comics with his unique and unmatched style, grown out of American underground comics (as represented by visionaries like Rick Griffin and Victor Moscoso), Italian Renaissance art and Walt Disney comics.
His posters, featuring otherworldly creatures, especially bunnies, influenced by the Psychedelic art stylings of San Francisco artists such as Rick Griffin and Victor Moscoso, figured strongly in the Montreal literary and spoken word scene of the 1990s.
After the success of the first issue, Crumb opened the pages of Zap to several other artists, including S. Clay Wilson, Robert Williams, "Spain" Rodriguez, Gilbert Shelton, and two artists with reputations as psychedelic poster designers, Victor Moscoso and Rick Griffin.