Moving away from traditional academic styles, they are strongly influenced by Leibl's realism, and the works of Impressionist artists such as Manet whose work they saw in an exhibit of 1907.
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Following the end of the war, he spent time in a village near Sarajevo, where he painted landscapes and rural subjects in a style that used colour and tonal variations to depict form and space.
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From 1919 to 1923, Vladimir Becić lived and worked in the village of Blažuj near Sarajevo, producing a series of oils and watercolours of landscapes, peasants and shepherds that show an increasingly mature style of tonal painting using colour forms for rounded volume and space.
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