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The production of the song, which was arranged by Harold Battiste, aped the Wall of Sound technique created by Nitzsche and Phil Spector.
Bands such as The Varukers, Discharge, Chaos UK, Amebix, and Charged GBH took the existing 1977-era punk sound and melded it with the incessant, heavy drumbeats and "wall of sound" distortion guitar sound of New Wave of British Heavy Metal (NWOBHM) bands such as Motörhead.