A rather imaginative rendition of the 1919 Emergency National Convention appears in the 1981 Warren Beatty film, Reds.
After the match, the Real Madrid players were presented with their winners' medals by a 21-year-old Warren Beatty.
He then started working as a coach for many others, including Faye Dunaway and Warren Beatty.
Loren Adelson Singer (5 March 1923, Buffalo, New York – 19 December 2009, Valhalla, New York) was an American novelist, best known for his 1970 political thriller, The Parallax View, which was made into a successful 1974 film, of the same name, starring Warren Beatty, Paula Prentiss, Hume Cronyn and William Daniels.
As "Miranda," Walton engaged in late-night telephone conversations with such stars as Billy Joel, Warren Beatty, Bob Dylan, Buck Henry, Eric Clapton, Michael Apted, Bono, Mike Nichols, Vitas Gerulaitis, Ted Kennedy, Johnny Carson, Art Garfunkel, Peter Gabriel, Robert De Niro, Rush Limbaugh, and Richard Gere, telling them that she was a blonde Tulane University student, wealthy socialite, and international model.
Warren Beatty featured his saxophone playing on the soundtrack of his academy award winning film Heaven Can Wait.
Describing Warren Beatty and Dustin Hoffman's Ishtar, Merritt said that it was a pity that the film was not named "Tishtar." because then "if you spelled it backwards, it would almost write its own review."
She has had roles in independent films such as Fool's Paradise (1997), Stag (also in 1997) and Jesus the Driver (2004), as well as the Warren Beatty-produced 1994 remake of Love Affair.
Fame recorded the song after seeing the (then) controversial release of the now considered classic gangster film Bonnie and Clyde starring Warren Beatty (as Clyde Barrow) and Faye Dunaway (as Bonnie Parker).
In films since childhood in his native Germany, Kieling appeared in a few American films such as Alfred Hitchcock's Torn Curtain (1966), where he played an East German agent brutally slain by Paul Newman character, and had a small role in $ (aka, The Heist, 1971), starring Warren Beatty.
Warren G. Harding | Warren | Warren Buffett | Warren Beatty | Earl Warren | Diane Warren | Warren Zevon | Ned Beatty | Warren G | Warren County | Lesley Ann Warren | Warren E. Burger | Elizabeth Warren | Warren Commission | Warren Township | Charles Warren | Warren Hastings | Frank Warren | Warren William | Warren County, Ohio | Warren Clarke | Warren Spahn | Warren Oates | Warren Ellis | Robert Penn Warren | Rick Warren | Harry Warren | Warren Treadgold | Warren Sapp | Warren Moon |
The opening screening in May 1977 attracted over 750 people, including Warren Beatty, Jack Nicholson, Julie Christie, and George Cukor.
The principal examples of American literature that Swirski discusses in detail are: Irving Wallace’s The Man (1964), Richard Condon’s Death of a Politician (1978), P.J. O’Rourke’s Parliament of Whores (1991; 2003), Warren Beatty’s script and film Bulworth (1998), and Michael Moore’s Stupid White Men... and Other Sorry Excises for the State of the Nation (2002; 2004).
Gregory Peck, Frank Sinatra, Bob Hope, Richard Nixon, James Stewart, Don Rickles, Milton Berle, Kirk Douglas and Ronald Reagan were still regulars, along with newer celebrities such as John Travolta, Warren Beatty, Jack Nicholson, and Mel Gibson.
Elliott lent his vocal talents to such motion picture soundtracks as The Getaway starring Steve McQueen, $ (Dollars) starring Warren Beatty, The Hot Rock starring Robert Redford and The Happy Hooker starring Lynn Redgrave.
Doug Drexler (born in New York City) is a visual effects artist, designer, sculptor, illustrator, and a makeup artist who has collaborated with such talents as Al Pacino, Dustin Hoffman, James Caan, Meryl Streep, and Warren Beatty.
It was at JMU that they met Eddie Hartness, a native of Arlington, Virginia, and a product of the same high school that also turned out such acting superstars as Sandra Bullock, Warren Beatty and Shirley MacLaine.
When Warren Beatty was unable to stir interest in his and Robert Towne's screenplay for Shampoo, about an amoral hairdresser he had been developing since 1967, he bundled it with the more appealing The Fortune and convinced Columbia Pictures head David Begelman to finance both films.