In 2005, a mother accused her daughter's school in Derby, England of discriminating against Christians after the teenager was suspended for refusing to take off a crucifix necklace.
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Exorcist Gabriele Amorth has stated that the crucifix is one of the most effective means of averting or opposing demons.
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On 18 March 2011, the European Court of Human Rights ruled, in the Lautsi v. Italy case, that the requirement in Italian law that crucifixes be displayed in classrooms of state schools does not violate the European Convention on Human Rights.
After a pathologist (veteran actress Lillian Roth in one of her last roles) analyzes Dom's corpse, the crucifix is found and Alice is released.
Soon after, in 1997, her graduation piece, Crucifix, was the first exhibit at A Gallery.
Below the Green Hat is the Crucifix symbolizes the Holy Martyrs of Korea who were the victims of religious persecution against the Catholic Church during the Joseon Dynasty in 19th Century.
Behind the altar is a 20th-century reredos which is topped by 18th century carved figures of Saint Jerome, Saint Ambrose, Saint Augustine and Saint Gregory which support a Spanish Ivory crucifix.
Other artworks include Polyptych of the Holy Cross Relic by Paolo Veneziano, a Virgin in Glory by Bartolomeo Cesi (late 16th century), and an early 15th-century late Gothic crucifix in the Malvezzi Chapel.
Opposite them is a crucifix, formerly in the church at Stock, Essex.
The crucifix was completed in March 2008, installed at Fisher House and consecrated by Cardinal Cormac Murphy-O'Connor.
Mark Romanek's 1985 film Static tells the surreal story of a struggling inventor and crucifix factory worker named Ernie who feels spiritually empty because he is saddened by his parents' death in an accident.
Most Felician Sisters maintain the religious garb of their Foundress, Blessed Mary Angela Truszkowska, consisting of a brown habit (beige during summer months), scapular, (jacket at specified times), headdress, black veil, collar, Felician wooden crucifix suspended on tape or cord, and simple ring received at final profession.
The crucifixes in St. Simon and St' Jude's in Thorr (Bergheim county), St. John's in Lage/Rieste (Lower Saxony), the cross in St. Peter's Church, Merzig and the crucifix in the Roman Catholic parish church of St. John the Baptist in Kendenich (Hürth) also belong to this group.
Saint Anthony the Hermit’s Catholic Church (branch church; Filialkirche Hl. Antonius Eremit), Hauptstraße 10 – 1821–1825, architect Royal Building Inspector Maeber, thereafter F. Nebel, Koblenz, belltower 1873, new building work on nave 1950; in the quire a Crucifix, Body of Christ from early 17th century
There is a reoccurring image of an indigenous man, dressed as the European representation of Jesus Christ on the crucifix recognizing or reminding the colonization of the Americas through the introduction of Catholicism and its resulting mestizaje.
The museums hold various works, including a wooden crucifix by an unknown artist of the Sienese school, two beautiful 15th century wooden sculptures, including one of an incredibly moving Madonna by an anonymous artist which has become the symbol of Montalcino on the various posters and publicity, and several other sculptures in terracotta which appear to be of the Della Robbia school.
Other rooms contain a Maestà from the late thirteenth century, altar decorations by Memmo di Filippuccio, a "Madonna and Child" by Vincenzo Tamagni (1528), several Gothic altarpieces (including one showing scenes from the life of Saint Gimignano), a "Madonna with Saints Gregory and Benedict" by Pinturicchio, and two medieval crucifixes of the Florentine school.
Alessandro Cardinal Montalto came to Sfondrati's cell to inform him that the Sacred College had agreed on his election and found him kneeling in prayer before a crucifix.
The story "Vampire lieben Knoblauch" ("Vampires Love Garlic") in Das Letzte Wort der Wanderratte tells how Günter with his crucifix and Ali with his crescent are equally helpless victims of the predator, Dracula; it is a mistake to seek anti-German polemic in Schami's writing.
The Rood of Grace was a crucifix kept at Boxley Abbey in Kent in southeast England.
In the nave the largest frescoes of the time are the work of the painter Lazzaro De Maestri of 1893, in the second altar of the right aisle of the painting The Martyrdom of Saint Catherine of Alexandria by Castellino Castello, in the presbytery and in the apse works Rocco Costa and Giuseppe Galeotti; in the chapel to the left of the nave there is a crucifix in wood of the 12th century from the former parish church of St. Nicolò.
The Baroque church of St. Abdon und Sennen built in 1694 is known for its precious organ and the crucifix from the workshop of Prince-bishop Bernward of Hildesheim.
At the chancel entrance is suspended a very large painted rood crucifix by one Master of San Francesco, a contemporary of Cimabue.
Paolo Veneziano (painted Crucifix hanging in front of the high altar (attributed))
To the left of the choir is the Cappella del Crocefisso (the Sacchetti family Chapel), which has wall and vault frescoes by Giovanni Lanfranco and a bronze crucifix created by Paul Sanquirico and made by Prospero Antichi.
It houses a 13th-century Crucifix on panel, frescoes by Buonamico Buffalmacco and a Madonna with Saints by Turino Vanni (14th century), but most of all a 2nd-century Roman sarcophagus used as medieval tomb.
The castle formerly contained a celebrated crucifix, previously thought to be by Veit Stoss but now attributed to the Danube school.
These featured designs by Nathaniel Westlake and Matthew Hadfield and included the west window (in memory of Father James Fitzgerald), the Sienese crucifix and wall paintings of the four Resurrections.
A Crucifix or religious Icon hangs on the wall of every teaching room, most offices, the school foyer and the main hall.
The pilgrimage began with a relic, a crucifix which had been handed over to Emperor Louis IV by Antipope Nicholas V and which was later donated to the church by one of the emperor's sons, likely Duke Otto V.
The church houses also a canvas by Jacopo Ligozzi (Assumption, 1598), behind the high altar, and a 14th-century polychrome wooden Crucifix, in the Sacrament Chapel.
A legend, recorded in the 12th century De Inventione Sanctœ Crucis Nostrœ ("The Discovery of our Holy Cross") or "Waltham Chronicle", relates that, in about 1016, the blacksmith at another estate belonging to Tovi, at Montacute near Glastonbury, found a large black flint (or marble) crucifix buried at the top of a hill, after a dream.
Nash, Susie, "The Lord’s Crucifix of Costly Workmanship: Colour, Collaboration and the Making of Meaning on the Well of Moses" in Circumlitio.