Thomas Bateson, also spelled "Batson" or "Betson", birth year uncertain (died 1630), English writer of madrigals
His madrigals, on the other hand, are a cappella, in the late Renaissance style, so Agazzari simultaneously showed extreme progressive tendencies as well as some more conservative ones: unusually, his progressive music was sacred, and his conservative was secular, a situation almost unique among composers of the early Baroque.
This list includes "Songs of the Fleet" by Charles Villiers Stanford, "Lux Aeterna" by William Mathias, "Birthday Madrigals" by John Rutter, "Mass of the Sea" by Paul Patterson and several other works of George Dyson, Patrick Hadley and Gilbert Vinters.
In addition to recording the complete madrigals of Monteverdi (up to the 7th book), Delitiae Musicae completed the recording of the six books of madrigals of Gesualdo in 2013, and has made other recordings of works by Palestrina and Banchieri.
Ellis Gibbons was evidently counted as having promise by his contemporaries: at the age of 28 he became the only composer, other than the editor Thomas Morley himself, to contribute two madrigals to The Triumphs of Oriana, a collection of 25 madrigals published in 1601, although the American musicologist Joseph Kerman (in his 1962 comparative study of the English madrigal) states that "possibly one of the two is by Edward Gibbons."
Michael Cavendish (c.1565-1628), published one volume of madrigals and lute songs in 1598
One of the more notable compilations of English madrigals was The Triumphs of Oriana, a collection of madrigals compiled by Thomas Morley, which contained 25 different madrigals by 23 different composers.
Giovanni Matteo Faà di Bruno a musician of some importance from Casale who published two books of madrigals as well as vespers, psalms, motets and settings of the Magnificat.
Upon the dissolution of this fraternity he moved to Vicenza, where he joined the Accademia dei Costanti in that city, a society of humanists to which he dedicated his 1557 book of madrigals.
From 1929 until 1931, Redlich studied musicology at Frankfurt University and completed a dissertation on stylistic changes in Monteverdi's madrigals.
In pre-war Vienna and Paris, he frequented aristocratic salons and worked with Nadia Boulanger, with whom he made a pioneering set of recordings of madrigals by Monteverdi in 1937; after the war, the new early-music boom relied heavily on his light, unmannered, natural sound.
The Fayre featured volunteers dressed in Elizabethan style costumes and included evening dramatic programmes and musical items, including excerpts from Twelfth Night, madrigals and folk singing.
Madrigals Etc is a predominantly vocal music group based in Bangalore, India.
Orlande de Lassus was considered the master of mascheratas, and he wrote many of his pieces (mostly madrigals) while in Rome, which saw the birth of madrigals, and more specifically mascheratas.
Thomas Morley, a student of William Byrd's, published collections of madrigals which included his own compositions as well as those of his contemporaries.
The first three works are morale madrigals on poems in Italian by Francesco Petrarca and Angelo Grillo.
The collection contained some of the most celebrated madrigals of the period, including works by Josquin Baston.
A prolific composer of madrigals as well as sacred music, he was closely connected with the court of Marguerite of Savoy.
The Full Monteverdi is a 2007 British film written and directed by John La Bouchardière and based on his live production of the same name, itself based on Claudio Monteverdi's fourth book of madrigals (1603) which, in turn, is a collection of settings of poems by such Italian renaissance poets as Giovanni Battista Guarini, Ottavio Rinuccini and Torquato Tasso.
In 1588 the great collection of Italian madrigals entitled ‘Musica Transalpina’ was published, and became the most important agent in promoting that admiration for the madrigal form as used by the Italians which resulted in the foundation of the splendid school of English madrigalists.