There were approximately forty members of the academy; unlike the original Accademia Filarmonica in Verona, the members themselves did not seem to do most of the music-making.
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In particular, he had an active life working for four secular groups: a group of musicians in Padua, and three humanistic academies in Vicenza, Padua, and Verona.
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Upon the dissolution of this fraternity he moved to Vicenza, where he joined the Accademia dei Costanti in that city, a society of humanists to which he dedicated his 1557 book of madrigals.
Francesco Rosi | Francesco Clemente | Francesco Bartolozzi | Francesco Guardi | Francesco Guccini | Francesco Marino Mannoia | Francesco Severi | Francesco Cossiga | Francesco Moser | Francesco Mondada | Gian Francesco Malipiero | Giovanni Francesco Fara | Francesco Redi | Francesco Quinn | Francesco Graziani | Francesco De Gregori | Francesco Crispi | Francesco Conconi | Francesco Barberini | Gian Francesco Poggio Bracciolini | Francesco Sartori | Francesco Ruggieri | Francesco Paolo Bontade | Francesco I da Carrara | Francesco Grimaldi | Francesco Coppola | Francesco Cavalli | Francesco Bonami | Francesco Alberoni | Pier Francesco Sacchi |
On January 1, 1562, he became maestro di cappella, music director, of the prestigious Accademia Filarmonica of Verona, succeeding Francesco Portinaro, who had held the post the preceding year.